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  1.  2
    Mutual Recognition in Human-Robot Interaction: a Deflationary Account.Ingar Brinck & Christian Balkenius - 2020 - Philosophy and Technology 33 (1):53-70.
    Mutually adaptive interaction involves the robot as a partner as opposed to a tool, and requires that the robot is susceptible to similar environmental cues and behavior patterns as humans are. Recognition, or the acknowledgement of the other as individual, is fundamental to mutually adaptive interaction between humans. We discuss what recognition involves and its behavioral manifestations, and describe the benefits of implementing it in HRI.
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  2.  19
    AI and Its New Winter: from Myths to Realities.Luciano Floridi - 2020 - Philosophy and Technology 33 (1):1-3.
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  3.  8
    Technology and Mathematics.Sven Ove Hansson - 2020 - Philosophy and Technology 33 (1):117-139.
    In spite of their practical importance, the connections between technology and mathematics have not received much scholarly attention. This article begins by outlining how the technology–mathematics relationship has developed, from the use of simple aide-mémoires for counting and arithmetic, via the use of mathematics in weaving, building and other trades, and the introduction of calculus to solve technological problems, to the modern use of computers to solve both technological and mathematical problems. Three important philosophical issues emerge from this historical résumé: (...)
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  4.  14
    The Hidden Dimensions of Human–Technology Relations.Scott T. Luan - 2020 - Philosophy and Technology 33 (1):141-165.
    In Technology and the Lifeworld, Don Ihde advances what he calls “formalisms” for the ways in which we experience or relate to technology. In this article, I seek to clarify the grammar of Ihde’s formalisms. Ihde’s formalisms have not been the focus of scrutiny. Rather, they have largely been received in the literature as merely aphoristic or epigrammatical devices serving to clarify what can be explained in prose. My hypothesis is that Ihde’s formalisms do not merely serve an epigrammatical function (...)
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  5.  7
    Social Robots and Recognition.Marco Nørskov & Sladjana Nørskov - 2020 - Philosophy and Technology 33 (1):5-8.
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  6.  1
    Dark Data as the New Challenge for Big Data Science and the Introduction of the Scientific Data Officer.Björn Schembera & Juan M. Durán - 2020 - Philosophy and Technology 33 (1):93-115.
    Many studies in big data focus on the uses of data available to researchers, leaving without treatment data that is on the servers but of which researchers are unaware. We call this dark data, and in this article, we present and discuss it in the context of high-performance computing facilities. To this end, we provide statistics of a major HPC facility in Europe, the High-Performance Computing Center Stuttgart. We also propose a new position tailor-made for coping with dark data and (...)
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  7.  9
    The Transparency Game: Government Information, Access, and Actionability.Orlin Vakarelov & Kenneth Rogerson - 2020 - Philosophy and Technology 33 (1):71-92.
    Democratic governments might be required by law to disseminate information to the people. This is called governmental transparency. What is the burden of transparency? We propose a “pragmatic information theory of communication” that places information accessibility as a foundation of transparency. Using a game model—the Transparency Game—we show that the pragmatic theory is the only one that makes it difficult for governments to appear transparent while not actually being transparent. There are two important consequences of understanding transparency through the theory: (...)
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  8.  8
    Recognition, Encounter, and Estrangement, in the Work of Zhou Song.Stacey Vorster - 2020 - Philosophy and Technology 33 (1):33-52.
    While most discussions of the relationship between art and technology focus on “new media” practice, there are substantial opportunities to consider technology through “traditional media” such as painting and sculpture. Art and technology intersect through the process and desire of imagination and, in particular, through the attempt to imitate life itself in terms of creation. In this paper, I consider the practice of Beijing-based artist Zhou Song, who images and imagines new worlds as constituted by social robots. Drawing on the (...)
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