Abstract:This essay argues for the continuing import and relevance of deep ecological philosophy by reading it together with explorations of connection to nature in the social sciences. It begins by clarifying deep ecological concepts of "identification" with nature. It then argues that these conceptualizations align with notions of human-nature connectedness employed by social scientists, and that empirical research largely corroborates deep ecologists' claims about the practical significance of a sense of connection to the natural world. Finally, it reviews literature discussing (...) whether time outdoors, zoo visitation, and scientific study promote a sense of connection to nature, thus providing additional insight into the claims of deep ecologists, and offering practical guidance for conservationists and connectedness advocates. (shrink)

Abstract:In this paper, Heidegger's lifelong interest in usable things is combined with his critique of aesthetics and environmental reading of his works to build the framework for reexamining his notion of authenticity (Eigentlichkeit) as the category which environmental aesthetics can employ to reconceptualize our aesthetic judgment of everyday artifacts and how, by doing so, that contributes to reducing the ecologically harmful effects of consumerism. To this end, I draw upon the ambiguous position of usable artifacts in Heidegger's philosophy. I shall (...) unpack this ambiguity by explaining that it mirrors tensions in Heidegger's idea of truth as inherently agonistic dis-closure. I argue that although everyday artifacts—as opposed to artworks—are situated closer to the pole of hiddenness, they can participate aesthetically in revealing being. Elucidating this requires re-appropriating Heidegger's concept of being 'authentic' as being 'one's own' (eigen). I show that applying the category of (Heideggerian) authenticity to everyday artifacts should consist in unfolding their ontological uniqueness, which is irrespective of their ontic replicability. Finally, I develop an understanding of authenticity by exploring environmental-aesthetical implications of some of Heidegger's remarks on things related to their susceptibility to changes. (shrink)

Abstract:Invertebrates are generally excluded from ethical consideration in scientific research and in environmental protection. In this paper I present and characterize controversies related to the use of freshwater benthic invertebrates in biological monitoring in the light of diverse ethical concepts. I consider the inherent contradictions which arise from simultaneously treating wild animals as: items possessing bio-indicative value, ecologically important elements of ecosystems, representatives of rare and endangered species and finally, as sentient beings with the capacity to suffer. The analysis is (...) based on numerical data collected during projects related to biological monitoring of Polish watercourses. Among the ethical concepts discussed, only the evolutionary inclusive one allows for a coherent classification of all animals according to the innate values assigned to individuals, and only this concept provides us with convincing arguments enabling the incorporation of individual invertebrates within the scope of ethical considerations. (shrink)

Abstract:Catastrophe has increasingly become a consumer product. Perhaps because of this, we have become desensitised to the idea of catastrophe, so much so that narratives that should elicit fear and anxiety due to their reflecting a truth about our current world do not causally produce the necessary affective responses that would motivate us to act. This is the case with climate change. Through a superficial engagement with the climate change issue through social media, media, films, television, and other literature, we (...) experience catharsis daily. The release of the fear and anxiety that should lead us to action against climate change does not make us act against it. In this article, I put forth this argument by discussing how we superficially interact with climate change and catastrophe through the media, social media, films, television, and other literature. I refer to empirical evidence that supports my position. I consider how this superficial interaction leads to desensitization and causally produces a catharsis, leading to inaction. I put forth some initial remarks on how artmaking could be approached in a way that does not desensitize us to catastrophe by considering what Heidegger, Adorno, and Marcuse have to say about the function and origin of art. (shrink)