9 found

Year:

  1.  1
    Lascaux IV, Chauvet II, Planet B.Vincent Bruyere - 2022 - Substance 51 (1):88-102.
  2.  1
    A Home for the Ghosts: On the Diorama as Inhabited Landscape.Jennifer Cazenave - 2022 - Substance 51 (1):30-46.
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  3.  2
    Inhabiting a Viral Culture.Verena Andermatt Conley - 2022 - Substance 51 (1):120-135.
  4. In/Habitable.Thangam Ravindranathan - 2022 - Substance 51 (1):3-7.
    L’inhabitable—the uninhabitable—was the bass note sounding through all of the work of Georges Perec, less a category than what categories failed to insure against: the depersonalizing, devitalizing, dark matter of modern histories and geographies, as scandalous as it was ubiquitous. At the end of Espèces d’espaces, Perec would parse “the uninhabitable” into a litany of alienating spaces produced by the very processes of industrial advancement and urban growth:L’inhabitable: la mer dépotoir, les côtes hérissées de fils de fer barbelés, la terre (...)
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  5.  1
    In the Doldrums: Plastic, Haunting and the Sea.Thangam Ravindranathan & Antoine Traisnel - 2022 - Substance 51 (1):8-29.
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  6.  1
    Tellurian Nietzsche and the (Un)Inhabitable Eternal Return.Claire Sagan - 2022 - Substance 51 (1):64-87.
  7.  1
    Critique of Alien Reason: Toward a Critical Interplanetary Humanities.Joshua Schuster - 2022 - Substance 51 (1):103-119.
  8.  1
    Olivier Rolin: Habitation in the Empiritext.Allan Stoekl - 2022 - Substance 51 (1):47-63.
  9.  2
    Along the Fold.Jennifer Wenzel - 2022 - Substance 51 (1):136-144.
    One of the indelible images of Manhattan in late March 2020 was the archive of horror accreting daily on my neighbor’s doormat. Above the fold, the New York Times reported on so many thousand lives lost one day, so many million jobs lost the next. No one who was in New York City in spring 2020 will forget the ambulances wailing nearly nonstop—an awful, inescapable sound that could shatter any numbed state of abstraction in relation to the daily numbers.Yet, after (...)
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