In lieu of an abstract, here is a brief excerpt of the content:A Hypothesis on the Origin of TradeThe Exchange of Lives for Sacrifice and SexPablo Díaz-Morlán (bio)introductionThe primary objective of this study is to propose a hypothesis regarding the origin of trade that will help to solve the enigma of why human groups, normally each other's enemies, stopped exchanging blows in order to exchange things. The complexity of this crucial step forward in the relationships between hostile primitive groups can (...) be summarized as follows. In order for an exchange to take place, both parties must take part in it voluntarily because they see a mutual benefit in doing so. In turn, both parties should be aware that in order to obtain what interests them, which is closely guarded by the other party, in return, they must hand over what the other party is interested in. The perception of the interest of the other plays a crucial role in trade, both today and in its origins. The next step to be taken after a successful initial exchange was its consolidation, after it had been proved that it mutually benefited groups who had, until then, been enemies. Once established, this pacific exchange would have diversified considerably and its complexity would have increased significantly. An added [End Page 165] advantage, which was unexpected but real, was that its subsequent usefulness in curbing violence contributed to its growing expansion. The emergence of a comparative advantage in the groups that adopted trade would have guaranteed their future progress with respect to those that continued to systematically adopt violent conduct toward their neighbors.1Throughout this study, we will come across the old idea that the market prevents war. Without a doubt, trade and war between individuals and groups are closely connected, but the boundaries between them are fuzzy and their demarcation has proven elusive to researchers. Albert Hirschman studied the intellectual climate in the seventeenth and eighteenth centuries in favor of trade and the express declaration of Montesquieu that "peace is the natural effect of trade."2 Since then, this idea has gained ground among researchers of economics and other fields of knowledge. In L'enfer des choses and subsequent works, Jean-Pierre Dupuy and Paul Dumouchel defend that the economy (the market) is a substitute for the sacred, containing violence through violent means. The market contains violence in the two senses of the term contain: It holds it and curbs it; it is both the poison and the remedy. The consumer society makes all objects available to everyone and in this way deactivates mimetic rivalry, deferring violent conflicts. But it is only a temporary remedy. In the words of Girard, "It is always necessary to find new toys."3Following the path initiated by Dumouchel and Dupuy, with their criticism of the free market economy and their proposal for a new notion of scarcity, in his text The Empire of Value, André Orléan claims that money is at the origin of the market. My analysis alludes to a moment prior to that established by Orléan. He maintains that he does not contemplate the historical origin of money but instead uses the expression "the conceptual origin of money." In fact, when he defends the essential monetary base of the market, he refers to an already developed market system, that is, an economic system for which the operation is structured around the institution of the market.4 Mark R. Anspach also criticized the market system in his book À Charge de Revanche. This author proposes the transcending of the perverse logic of vengeance that defines both war and the market that transforms it into a positive reciprocity based on the gift. This constitutes a type of shift away from looking at the past (settling old accounts) to looking toward the future, embracing gratitude, which gives rise to the initial gesture of giving.5 This study analyzes a time prior to that examined by Orléan and Anspach. It was the moment of hominization, that is, mimicry, the subsequent violence that threatened the survival of human groups and, as we will seek to explain, the market as an institution that has accompanied humankind since its conformation as a species... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Philosophic Foundations of Mimetic Theory and Cognitive Science(Including Artificial Intelligence)Jean-Pierre Dupuy (bio)In the mid 1970s I discovered at the same time cognitive science and mimetic theory. Being a philosopher with a scientific background, I immediately brought them together and tried to reconceptualize the latter in terms of the former. In a sense, I haven't stopped doing that in the last 45 years. That is why I feel fully (...) at home with the goals pursued by the organizers of this conference.I do not believe it is feasible or even desirable to operate the rapprochement between the two disciplines at a global level. The history of cognitive science is exceedingly involved, and the part played by artificial intelligence in it compared to the part played by the neurosciences has varied greatly over time.1 Only a piecemeal approach makes sense. I present here four short case studies that cover the whole period, from the beginnings in cybernetics to today's artificial intelligence (AI).In order to better situate these studies within a broader frame, I propose the diagram in Figure 1. To comment on it would require more time than available for my whole presentation. Let me just say the following. [End Page 1]It is essential to distinguish between two kinds of AI. The first to bear this name was launched by economist Herbert Simon and computer scientist Allan Newell at a Dartmouth conference in 1956. It was based on the premise that thinking is computing, with this computation bearing on sentences of a "language of thought" implementable in a digital computer. It turns out that this AI(1) was progressively substituted from the 1980s onward by an AI(2), which, to some extent, was a return to a fundamental result obtained by cybernetics in 1943. Neurophysiologist Warren McCulloch and mathematician Walter Pitts had constructed a mathematical model of a network of elementary calculators called "neurons" and explored its properties. The capacity to "think" was one of these. It was not situated at the elementary level, as was the case in AI(1), but it emerged at the collective level from the interactions between the neurons.This model was heavily criticized by the supporters of AI(1),2 and its first implementations, in the notorious "Perceptron" in particular (1957), were pitiful failures. However, the emergence of "second-order cybernetics" under the guidance of cybernetician Heinz von Foerster and the theory of complex, self-organizing systems that it helped develop, in cooperation and rivalry with similar efforts in the physical sciences, enabled the neural network model to come to a second life under different names: formal neurons, deep learning, big data, and the like. Together, they constitute AI(2).The following network of influences wouldn't have been possible without its stem, that is, the boxes containing the names of Kurt Gödel and Alan Turing. The former revolutionized logic by showing that reasoning about arithmetic and arithmetic are one and the same, insofar as it is possible to code in a 1-to-1 fashion propositions about integers (for instance, "7 is a prime number") by means of integers. The latter demonstrated that some mechanisms can self-transcend inasmuch as they generate an ensemble of outputs that cannot be defined mechanistically. Later, John von Neumann, who is credited along with Alan Turing with having invented the digital computer, would use this logical possibility to define complexity: A mechanism is complex if it is capable of generating one more complex than itself. The gate was open for the theories of complex, self-organizing systems to thrive and, by way of consequence, for AI(2) to emerge.fascination with modelsHerbert Simon (1916–2001), winner of the Nobel Prize in economics for his work on what he called "bounded rationality," is generally considered to be one [End Page 2] Click for larger view View full resolutionFigure 1.of the founders of artificial intelligence. Some cognitive scientists still rely on the computer program that he devised with Alan Newell to simulate the creative processes of human thought—a program aptly named "General Problem Solver." The title of one of his principal works, The Sciences of the... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Denial of PeterRené Girard, Mimetic Desire, and ConversionWilliam E. Cain (bio)Man is the creature who does not know what to desire, and he turns to others in order to make up his mind. We desire what others desire because we imitate their desires.—René GirardI believe in commitment … We must be committed to one position and follow it through.—René GirardIn many books and essays throughout his long career, (...) the literary critic and cultural theorist René Girard presented, developed, and extended provocative ideas about, and insights into, mimetic desire. Our desires are not our own, Girard emphasizes; they do not come from within. We form our desires on the desires that we perceive in others; they are our models; we imitate them. Always, we seek to be aligned with the words and deeds of an envied model or, more generally, with those of a dominant group or crowd. [End Page 101]As Girard defines it, desire is extremely potent and controlling. We cannot resist its force, and all too often it propels individuals and societies into rivalry, hatred, and violence. There are descriptions of this formidable power in Sophocles, Shakespeare, and other great writers of the Western tradition, as Girard has demonstrated. But, even more, Girard maintains that we witness the operation, that is, the revelation, of mimetic desire—its origins, its consequences—in the Hebrew Bible and the New Testament.The temptation and sin of Adam and Eve, the story of Joseph and his brothers, the judgment of Solomon, the story of Job, the crucifixion of Jesus—these are some of Girard's recurring examples. However, the Biblical episode that may have mattered the most to him, one that he invoked repeatedly, is the Denial of St. Peter.The details of this story differ somewhat from one gospel to the next—Girard prefers the version of it in the gospel of Mark—but the core of it is this: At the Last Supper, Jesus predicted that Peter would deny him three times; Peter swore that he would not, but when the time of testing came, he did. When others confronted him, the fearful Peter, desiring to belong, desperate to be safely within the group, denied that he knew who Jesus was: "I do not know the man you speak of" (Mark 14:71).1Girard's explications of the Denial bring into focus his theory of mimetic desire. His reiterated point about St. Peter is really a point about us—that we are the same as this disciple: We would have betrayed Jesus too. In New Testament studies, some have claimed that "the story about Peter is simply a concretizing of the general denial of all the disciples."2 In our own times of test and trial, we have acted and will act as Peter did.Consider Girard's treatment of the Denial in Le Sacrifice (2003; English trans. 2011).3 The mob that calls for Jesus's death, Girard explains, "is constituted and nourished by swallowing up everything that passes within its reach. It is the black hole of violent mimeticism; where mimeticism is most dense, the mob emerges."4"The major example," he continues, "is that of Peter's denial":Peter cannot help but imitate their hostility. If we psychologize this denial, if we attribute it to the suggestible temperament of the apostle, we seek to prove (unconsciously) that in Peter's place, we would not have denied Jesus. It should be recalled that before his denial Peter, too, vows never to deny Jesus. He is too preoccupied with the opinion others have of him not to blindly adopt the politically correct attitude of the milieu at the center of which he has the misfortune of finding himself.5 [End Page 102] Click for larger view View full resolutionFigure 1."All the actors and witnesses of the crucifixion," Girard concludes, "are already hostile to Jesus or they become so, for mimeticism spares no one."6We cannot resist the influence of the mob: Inevitably we succumb to it. No more than Peter would we have remained steadfast. There is nothing inherent in Peter as an individual that explains why he... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Killing Our Way Out of ViolenceEngaging Wrangham's The Goodness ParadoxChris Haw (bio) and Richard Wrangham (bio)Wrangham's Goodness Paradox (GP) offers excellent anthropological research for mimetic theorists interested in the questions of human evolution and violence. It theorizes a framework of how group killing played a selective function in the emergence of our species, but it leaves open plenty of questions and concerns for productive, critical dialogue. Wolfgang Palaver has (...) written a short affirmation of the book, and Melvin Konner reviewed it for The Atlantic.1 But as one who has taken keen interest in the evolutionary and theological dimensions of mimetic theory,2 I offer here a longer engagement with the book and the author. I begin by extrapolating Wrangham's argument, I offer some critique, and then I share an edited version of my extended conversation with him.Wrangham's overall paradox is that humanity emerged through killing our way out of violence. More precisely, proactive coalitionary killing against aggressive, alpha-male individuals selected out, in a genetic pressure over hundreds of thousands of years, the more temperamental threads of Homo, resulting in a species (sapiens) who are relatively more domesticated and docile.3 [End Page 63]The argument proceeds as follows. First: Domestication is a real, genetic thing. Various domesticated species tend to share an odd, seemingly unrelated set of features called a "domestication syndrome." This refers to some combination of phenotype differences as compared to nondomesticated cousins: reduced skeleton mass, reduced/rounder cranium sizes and jaw lines, floppier ears, white patches of fur, extended juvenility, more frequent fertile periods, males with greater approximation to female characteristics, and so on. Beneath all these is a genetic reduction in "reactive aggression," which is the propensity for violence related to irascibility and short-fused tempers.Two: Domestication can happen intentionally or just randomly in nature. Humans have domesticated foxes in quick succession, breeding only ones with reduced reactive aggression, resulting in a domestication syndrome.4 The same seems to have happened slowly, with increasing intentionality over time, in the domestication of wolves into dogs. (This perhaps first began with the natural selection of wolves who were least aggravated by getting near humans to eat their camp detritus.) But domestication can also happen outside the human sphere, as in bonobos, who are basically a domesticated cousin of chimpanzees—evidenced not only in their reduced aggression but in their own domestication syndrome.5 This happened, he argues, largely through contingent, niche ecological features related to landscape, dramatic climate variations, and changes in competition over food.Three: It has long been asked whether humans are a "domesticated" species or whether such a thought is just anthropocentrism. The answer is definitely yes, but who domesticated us? A traditional answer, of course, was that God made us (or that some humans are properly domesticated, and others savage); but what if we ask in a more specifically scientific, causal framework? One early anthropologist posed that perhaps some now-extinct super-species domesticated us.6 Wrangham's answer is that we unintentionally domesticated ourselves by persistently killing off the genetic lines of the most aggressive individuals. This has resulted in Homo sapiens being basically a domesticated version of Homo neanderthalensis, erectus, and so on. Girard's not-unrelated answer is that religion domesticated us. By "religion" Girard means an integrated pattern of chaotic/exceptional and ordered/normal behaviors that contain violence, mediated through our mimetic capacity: chaotic mimetic violence restrained and channeled through mimetic ritual, taboo, and myth. This created an increasing feedback loop that exercised and intensified our mimetic capacity while protecting against its dangerous excess. Whatever the case, compared with our hominin cousins, the human phenotype shows strong signs of a domestication [End Page 64] syndrome: reduced cranium and jaw sizes, smaller skeleton mass, and a likely decreased reactive aggression in comparison to previous Homo.Fourth, and finally: Wrangham argues this domestication is related to a long, prehuman arc of transition, throughout the mid-Pleistocene (the Pleistocene ranges from about 2 million years ago to the thawing of the last ice age, 12,000 years ago), from older alpha-dominance patterns to tyrannies of egalitarian patriarchy. Wrangham draws upon hunter... (shrink)

René Girard is a French historian, literary critic, and philosopher of social science. He is the author of nearly 30 books, which have influenced disciplines such as literary criticism, critical theory, anthropology, theology, psychology, mythology, sociology, economics, cultural studies, and philosophy. He is well known for his contribution of mimetic theory and scapegoat theory. As Palaver writes, Girard accords with the major thinkers of Classical Antiquity, such as Plato and Aristotle, for whom mimesis plays an important role in several different (...) areas of human existence (Palaver 2013, 42).In the Chinese academic field, published works are recorded in several online databases, such as zhongguo zhiwang (China... Read More. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Theory of the Apophantic Judgment According to René GirardDesiderio Parrilla Martínez (bio)introduction: criticism of judgment in rené girardIn his essay "Belief (Cultural Memory in the Present)" ("Credere di credere") Gianni Vattimo stated the conditions of possibility of a "weak and post-metaphysical Christianity" founded in René Girard´s victimary hypothesis.1 According to Vattimo, mimetic theory allows abandoning traditional metaphysics and the classical theory of truth, based on the judgment. In later (...) works, Vattimo insisted on the epistemological virtues of mimetic theory to reform the classical theory of adequacy2 and the theological implications of this reform.3 Mimetic theory definitely unmasks the violence of the "strong metaphysic," to enable the advent of a weak metaphysics and a kenotic theology based on love: "According to him, it is the survival of the victim-based mechanism, albeit in attenuated form, that explains the recurrence of violence in the history of Christianity. To complete Girard's argument, we learn from Heidegger that what Girard calls the victim-based mechanism is metaphysical objectivism."4 The Erlebnis (non-conceptualized experience) of this theological weakening [End Page 147] has occurred as an event from a previous epistemological weakening, which mimetic theory itself contributes to consolidating.5This drift toward the epistemological nihilism generated a debate between Gianni Vattimo and René Girard, who rejected this conclusion drawn from his mimetic theory.6 The transcript of this controversy first appeared in Verità o fede debole? Dialogo su cristianesimo e relativismo (2006) [Christianity, Truth, and Weakening Faith (2011)], a compilation of three dialogues on three fundamental concepts: truth, secularization, and relativism. In the first part, focused on the epistemological question of truth, Girard affirms he isn't accurately recognized in Vattimo´s thought, showing his distance and warning that, unlike the Italian thinker, his thinking is primarily realistic: "Personally, I agree with Vattimo when he says that Christianity is a revelation of love, but I do not exclude that it is also a revelation of truth. Because truth and love coincide and are one in Christianity."7 In the same chapter, Vattimo challenges René Girard for not having extracted the ultimate consequences of his mimetic theory, because he stays trapped in the realistic ontology of a pre-mimetic mentality: [Vattimo:] "In sum, the only thing I really can't go along with in Girard is his faith in the salvific power of truth, whether it be revealed or discovered by science."8However, in the controversy René Girard could not fail to recognize the central thesis of Gianni Vattimo, according to which his work involved a critique of the classical interpretation of judgment: "I think that there is some kind of incompatibility between traditional philosophy and mimetic theory. I feel, for instance, that scholars influenced by Thomism are handicapped in regard to mimetic theory, because they have to work with neatly distinguished categories. Philosophy is looking for logical foundation as well. It is difficult for philosophers to accept a mechanism that triggers opposite effects. Therefore, it always excludes the real anthropological foundation."9 René Girard acknowledges that in his eagerness to keep up the anthropo-genesis, he cannot avoid judging the theory of judgment from the mimetic theory.10 This critique appears since the beginning of his investigation in Things Hidden since the Foundation of the World, when Girard distinguishes between Heraclitus's logos and the logos of John's gospel.11 In Violence and the Sacred he proceeded to investigate the historical origins of both forms of logos and discovered that a hidden reality underlay the evidence of the canonical judicative structure, using the resources of Derridean deconstruction, of which Girard acknowledges his debt.12René Girard's relationship with philosophy is problematic. Mimetic theory criticizes all human cultural constructions, including mythology and philosophy. However, in The Scapegoat René Girard approaches the issue of "judgment" as a place of truth. His relationship with philosophy therefore needs to be [End Page 148] recognized and his contribution valued. In this work Girard exposed the evolution and transformations that have resulted in the classic judicative structure, showing the assumptions of the last supplement of logical truth.13 In Of Grammatology Derrida took up the term "suppl... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Faulkner's Novels Past and PresentAndrew J. McKenna (bio)This article contains instances of the N-word. The Editor, Michigan State University Press, and Michigan State University do not condone the use of this word and only after careful consideration have we reprinted it. In this case, the word appears in the context of works by Faulkner.When I first came East I kept thinking You've got to remember to think of some (...) of them as coloured people not niggers, … I learned that the best way to take all people, black or white, is to take them for what they think they are, and leave them alone. That was when I realized that a nigger is not a person so much as a form of behavior; a sort of obverse reflection of the white people he lives among.—Faulkner, The Sound and the Fury ([1929] 2019, 45)A black man is a person who must ride Jim Crow in Georgia.—W. E. B. Du Bois ([1940] 1992, 153)When William Faulkner memorably stated, "the past is not dead, it's not even past," he was not reaching out for a place in the world-historical pantheon of aphoristic wisdom; he wasn't thinking about culture and history in general. A person of his own time and place, he was thinking about his experience in his own homeland, the deep South of his native [End Page 39] Mississippi, with its cherished myth of a Lost Cause that ennobled the effort to tear our country apart over slavery, and that subsequently enabled Jim Crow legislation, spawned the KKK, and sanctioned a century of lynching and burning. There has been an uptick of attention to Faulkner owing to Carl Rollyson's recent two-volume biography (2020) and, especially for my purposes, Michael Gorra's The Saddest Words: William Faulkner's Civil War (2020), which focuses on the centrality of that cataclysm in his creative imagination and his historical vision.On more than one occasion Faulkner himself was emphatic in his own ambivalence toward "his native land," as in this self-description: "He was born of it and his bones will sleep in it; loving it even while hating some of it … the intolerance and injustice; the lynching of negroes not for the crimes they committed but because their skins were black" (in Blotner 2005, 354). Gorra (2020) argues that this very ambivalence is a generative resource for the author's greatest achievements, quoting Yeats's notorious dictum, "We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry" (346). This can remind us of the notorious "crucible of doubt" out of which Dostoevsky allegedly forged his fiction. The Russian novelist is named (Blotner 2005, 718) as among seven of Faulkner's "masters" in the literary education of this omnivorous autodidact, with the others being Melville, Conrad, Balzac, Flaubert, Dickens, and Cervantes. With Dostoevsky especially he shares an admixture of horror and benign good humor. On occasion Faulkner was classed as an author of Southern Gothic, a label also applied to Flannery O'Connor, who, with Toni Morrison and Cormac McCarthy, counts among his greatest literary progeny. A more capacious designation might rank him with masters of the grotesque, as Mikhail Bakhtin has explored this anomalous category in his writings on Rabelais and Dostoevsky.Light in August (Faulkner, 1932) begins and ends on a humorous note, as we follow the quest of the guileless Lena Grove for the father of her unborn child. She has concluded from her "endless care of other children" in her brother's household, "'I reckon that's why I got one so quick myself'" (3); the novel closes with her newborn infant in her arms in her now aimless trek, marveling, "My, my. A body does get around: here we aint been coming from Alabama but two months, and now it's already Tennessee" (480).Lena's peregrinations bookend the story of Joe Christmas, so named because he was born on that day and who, we find later in the narrative, was snatched away by his religiously fanatical grandfather to be placed in an orphanage, then snatched away again to be placed... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Collective Violence and Birthday PartiesA Girardian Analysis of the PiñataDominic Pigneri (bio)The piñata is a tradition most commonly associated with Latin America, but this party game has a mysterious origin. Some suppose that the origin of the practice was brought to the Americas by the Spanish, who received the custom from the Italians.1 Some say that the Italians, through Marco Polo, appropriated the ritual from the Chinese.2 Others see (...) the Mexican piñata as originating locally in an Aztec religious ritual.3 But looking at this festival activity through a Girardian lens we can see that wherever a custom came into being, it seems that its origins lie in the lethal practice of collective violence. The following description may serve as an exemplar of the tradition:In Mexico, a plain, round clay cooking pot called an olla is decorated and finally almost entirely concealed by ruffles and streamer coverings shaped into animals, stars, etc. It is filled with nuts, sugar cane, fruits and small toys and is hung overhead from a rope. One participant in the game is blindfolded and given a long stick with which he or she tries to hit the pot. Several people (usually children) take turns at being blindfolded and swinging the stick, and finally when someone hits the pot [End Page 209] hard enough to break it, the other players scramble on the ground for the scattered prizes. It is a kind of noisy and happy version of a grab-bag, and the game goes on for quite a few minutes, since a controlling cord is used to swing the pot out of reach of the batters. There are several sing-song chants which the children say as the game goes on with each new target.4While the clay pot is the most traditional, piñatas are also made from other materials, including papier-mâché and cane plants.5 Furthermore, the piñata has a place in many different festivals; it is especially associated with Christmas, Easter, and birthday parties all over the Americas where there is a Latin influence.While the ritual of the piñata contains no explicit violence, the ritual itself contains many of the elements of the scapegoat mechanism René Girard describes in Violence and the Sacred. What Girard describes here is the banding together of society as they focus their internal animosity onto an arbitrary third-party victim. The peace that arrives after this violence is so profound that it is instinctually associated with the divine. This peace inspires a reenactment of this violence as a religious ritual. Therefore, religion functions as the force that keeps internal violence from turning all members of a society against one another. This controlled violence is the safety valve that releases the violence that would otherwise rend the social fabric of a community.6 Religion also veils the violence, which grants peace. It is important that the violence be expressed, but also hidden. Girard says, "Men cannot confront the naked truth of their own violence without the risk of abandoning themselves to it entirely. They have never had a very clear idea of this violence, and it is possible that the survival of all human societies of the past was dependent on this fundamental lack of understanding."7 This is the significance of the ritualism of cultic sacrifice.This relates to our current question of the piñata in the sense that the practice is reminiscent of a sacrificial ritual, especially when the piñata takes the shape of a being like an animal or human person. First, destruction is the initial aim of the activity. The piñata, like the oblation, must be destroyed in some way. This is what grants the ritual its efficacy. Second, there is a need for rubrics, a carefully followed procedure for the desired effect to come about. In cultic sacrifice, this can take place in a variety of ways, from ritualistic washing of the priest and the victim to the exact procedure and order for dissecting the victim. Similarly, as we saw in the description of the piñata above, there is a procedure. The piñata is... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Touching TestAI and the Future of Human IntimacyMartha J. Reineke (bio)Each Friday, the New York Times publishes Love Letters, a compendium of articles on courtship. A recent story featured Melinda, a real estate agent, and Calvin, a human resources director.1 They had met at a market deli counter. On their first date, a lasagna dinner at Melinda's home, Calvin posed the question, "What are you looking for in (...) a man?" To his surprise, Melinda reached into her pocket and pulled out a two-page list, "Melinda's Husband Traits." Her 46-item list begins with "Christian, honor God, put Him first" and includes as entry number 37, "He likes to be touched and likes to touch me." Notwithstanding laudable features of Melinda's inventory, if David Levy, President of the International Computer Games Association and an expert on artificial intelligence (AI), is correct in his predictions, in the years ahead, women like Melinda who know exactly what they are looking for in a husband will desire something radically new: a robot. After all, artificial agents will soon possess or improve on every quality the romantically inclined previously have sought in a human partner. [End Page 123]Levi predicts robots will be preferred romantic partners by the middle of this century.2 Capable of providing erotic satisfaction and creating deep emotional bonds with human partners, these robots will be an achievable outcome of AI engineering that already has brought to market industrial and service robots, virtual pets, and caregiver robots for the elderly. Levi offers a research-based inventory of traits a robot will offer its human partner: kindness and understanding, a sense of humor, expressiveness, intelligence, and sociability.3 He pinpoints additional features that will facilitate romance: The ideal robot partner will elicit erotic attraction, give evidence of readiness for a serious relationship with its verbal assertions, and possess a capacity for mutual intimacy.4 Levi's argument is intentionally provocative, for he emphasizes the centrality of sex to future robot/human pairings, waxing rhapsodic about the performative superiority of robots to humans in the sexual act.5Elaborating on potential human love relationships with robots, Levi asserts that a robot will need to master imitation if a human is to want it as a romantic partner. Not only is imitation a central aspect of every human-to-human relationship, but also imitation has been identified by researchers as a crucial element in romantic desire.6 Levi states that human-to-human attraction is founded on similarities between prospective partners in appearance, personality, and social context. It is sustained only through what Levi calls "reciprocal liking."7 For romantic relationships between humans and robots to flourish, they too must engage in acts of reciprocal imitation.In highlighting the necessity of imitation in effective robot and human interactions, Levi draws close to René Girard's theory of "mimetic desire." According to Girard, imitation structures all "wanting,"8 delineating what we aspire to look like or hope to possess and determining what we value, take comfort in, or experience as a threat. Indeed, the individual is never the origin point of its desires. Each of us always desires mimetically—according to the desire of the other.9 As Scott Garrels confirms in Mimesis and Science, researchers studying imitation in developmental, comparative, and social psychology, as well as in neurophysiology and cognitive neuroscience, support Girard's claims: Imitation is fundamental in human life.10 Likewise, Girard concurs with Levi that romantic relationships are primary examples of imitative desire. As described by Girard in Deceit, Desire, and the Novel, imitative behaviors form the romantic triangles that feature prominently in fiction: for example, Odette and the many men enchanted by her in Proust's In Search of Lost Time; Anselmo, Lotario, and Camilla in Don Quixote; and Velchaninov and Troussotzki, along with Troussotzki's deceased wife and prospective fiancée, in Dostoyevsky's The Eternal Husband.11 [End Page 124]Notwithstanding similarities in Levi and Girard's views of imitation, they differ in a crucial respect. Only Girard acknowledges just how extraordinarily fraught mimesis can become. When imitators compete (e.g., for things, status, and experiences), they will contest... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Mensonge MélodramatiqueTriangular Desire in Sense and SensibilityMatthew Taylor (bio)The Passions are perfectly unknown to her; she rejects even a speaking acquaintance with that stormy Sisterhood; even to the Feelings she vouchsafes no more than an occasional graceful but distant recognition; too frequent converse with them would ruffle the smooth elegance of her progress. Her business is not half so much with the human heart as with the human eyes, (...) mouth, hands and feet; what sees keenly, speaks aptly, moves flexibly, it suits her to study, but what throbs fast and full, though hidden, what the blood rushes through, what is the unseen seat of Life and the sentient target of Death—this Miss Austen ignores.—Charlotte Brontë1"Oh! mama, how spiritless, how tame was Edward's manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat. To hear those beautiful lines which have frequently almost driven me wild, pronounced with such impenetrable calmness, such dreadful indifference!" [End Page 189]—Marianne in Sense and Sensibility2Charlotte Brontë had probably not read Sense and Sensibility (SS) before making her famous indictment of Jane Austen above, otherwise she would have found herself prophetically, and mercilessly, parodied through the character of Marianne Dashwood.3 Marianne's critique of Edward above matches Brontë's denunciation with uncanny precision. Marianne, the "stormy sister" of the novel, carries on in the same vein through most of it. What she proclaims as passionate sensibility comes off instead as, at varying times, snooty, self-indulgent, exhibitionist, and histrionic. Marianne even assumes the role of Brontë's "sentient target of Death" not long after she is cruelly jilted by Willoughby, when she wanders listlessly outdoors in the damp. It is not unlike Jane Eyre's numb wanderings when she flees Thornfield and Rochester. This "acting out" by Marianne comes close to killing her.Marianne's romantic "sensibility" contrasts with her sister Elinor's "sense." Yet, of course, readers of SS will come to know that Elinor can feel just as deeply and passionately as Marianne; she just has to conceal it. Elinor can suffer as much, too, only without the luxury of wearing it on dew-drenched sleeves. Thus, we have the thematic frame of the novel, suggested in the title. As Austen's first published novel, SS is brilliant, mature, and confident. One weakness seems to be a Brontëan one, the melodramatic coincidence in the plot that connects Colonel Brandon's secret life of compassion to Willoughby's secret sins. Otherwise, SS sits very well alongside Austen's other five masterpieces.4From the perspective of René Girard's mimetic theory, mimesis comes out with a bang in SS.5 Not only is Marianne a principal character in Austen's first canonical novel, but her romantic sensibility is thematized in the title.6 "Sensibility" for Marianne is feeling, unmediated desire expressed in unrestrained language and impulsive action. Yet Marianne's actions are anything but unmediated, and they are compulsive rather than impulsive. Even when she finally overcomes the worst symptoms under the influence of Elinor, and even though we do develop genuine sympathy for her, Marianne never comes to any deep self-knowledge. Marianne perfectly encapsulates Girard's mensonge romantique, or "romantic lie."Implying that Marianne is a liar is not a comfortable stance, and not just because we may be fond of her, but because she is open and sincere—to a fault. Yet just because Marianne is honest about her feelings, it does not follow that she is accurate about them. In fact, this is often a problem in interpreting Marianne: Her self-characterization is accepted uncritically.7 From that basis, she is framed, somewhat understandably, as representing one side of a moral debate about sensibility.8 Austen is seen as being for it, or against it, or working out some sort of accommodation. Austen is further assessed as having done [End Page 190] so well, or badly, or indifferently, as the case may be. Then Austen is seen as conforming to cultural standards, or challenging... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Cancel Culture and the Trope of the ScapegoatA Girardian Defense of the Importance of Contemplative ReadingJoakim Wrethed (bio)What unfolds in this article encompasses violence, language/reading, and ethics. René Girard addresses these topics primarily in terms of mimesis, its potential violence, and the trope of the scapegoat. Still, toward the end of his career and life, he relentlessly pointed out the dangers implicated in the dynamism of these forces. He (...) addressed it clearly in his "apocalyptic book" Battling to the End (2010):I have been accused of repeating myself too often, of turning my theory into a fetish, of using it to explain everything. Yet it has described mechanisms that recent discoveries in neuroscience confirm: imitation is the initial and essential means of learning; it is not something acquired later on. We can escape mimetism only by understanding the laws that govern it. Only by understanding the dangers of imitation can we conceive of authentic identification with the Other. However, we are becoming aware of the primacy of moral relationship at the very time when the atomization of humanity is being realized, and when violence has increased in intensity and unpredictability.1[End Page 15] It is this thin line between necessary/harmless imitation and its dangerous versions that will be the central theme in the analysis. As Girard states, a vast amount of established research confirms that the mimetic impulse is innate.2 We should pay specific attention to "the atomization of humanity," since it zooms in on our contemporary epoch's paradoxical "mass-individualism," evidently tremendously enhanced by information and communication technology (ICT). In order to contribute to Girard's lifework and to extend it beyond his own writing, we outline a few contemporary phenomena that clearly exhibit the primordial dangers of human violence that Girard draws attention to. These phenomena are initially only roughly sketched, but subsequent sections give them sharper relief. The central phenomena are cancel culture, speed, and the reading of literature. Just to be clear, the intended mode of reading should be construed in a broad sense, thus potentially including philosophy and theology, if one is inclined to emphasize the differences between these disciplines and the reading of literature.3Cancel culture in certain ways makes manifest a social welfare society version of escalating violence, indicating that "violence has increased in intensity and unpredictability."4 A succinct definition of cancel culture will initially suffice:Cancel culture refers to ending (or attempting to end) an individual's career or prominence to hold them accountable for immoral behavior. Driven primarily by young progressives, often through social media, cancel culture has attracted controversy since it swept into the national conversation.5This definition can easily be extended into larger historical patterns in which, for instance, colonial crimes are highlighted and demands are raised for contemporary acts of atonement. As Rob Henderson points out, the obvious flip side is that "the swift and decisive nature of cancel culture can stifle debate, and some believe that dialogue is a more productive way to foster change."6 The "swiftness" and the immediate collectable consequences are decisive in their functions as social punishment and exclusion; in other words, digitalized speed accomplishes verdict and punishment in a very short time span, which is a reflection of desire pure and simple. The rapidity from intention to anticipated effect rather resembles an instinctive and violent action more than the forwarding of a carefully thought through argument or statement. The present becomes an invincible ivory tower bristling with power to finally mete out the justice that the erroneous ethics of earlier times were incapable of conceiving and achieving. An always already accelerating modernity speeded up immensely through [End Page 16] the fast growth of information and communication technology (ICT). To be sure, the whole evolution of computer technology is defined primarily in terms of processing speed, together with the quantity of information that can be contained in as small a spatial entity as possible. The present-day reality of having almost everything only one or a few clicks away on a screen—as a modern day realization of the library in Alexandria—enhances the relevance of a phenomenon historians have referred to... (shrink)