This article addresses the notion of “illusions of the multitude”, or the ideas created by the imagination in the analysis that Baruch Spinoza makes in his works. The text aims to explore the following questions: What characteristics reveal the ideas originating from the imagination? What role do these ideas play in the political and so- cial space? First, I emphasize Spinoza’s explanation of the imagination, as a first mode of knowledge. Secondly, I delve into the characteristics of the ideas that (...) stem from it and the affections that accompany them. Finally, I analyze their effects on the political and social space. (shrink)

Hegel’s assertion that, for us moderns, art is a matter of the past has obscured his genuine interest in the art of his time and modern art in general. This article attempts to correct this situation. First, it contextualizes the claim in its historical and conceptual aspects; second, it returns to Hegel’s approaches to modern art, neglected hitherto by interpreters. This revision implies clarifying what for Hegel is the modern, whose concept comes from the freedom and autonomy of thought, and (...) does not conform to what, in developments of Aesthetics, after Hegel, represent tendencies and prescriptions such as the avant-garde or turns such as aesthetic modernity and postmodernity. Modern art is the product of an artist who freely disposes of the means and content of art since he places himself above them. (shrink)

This article starts from two books by Santiago Alba Rico and Peter Sloterdijk to address the problem of nihilism, leading to Nietzsche and Heidegger to theoretically center the discussion and to conclude that the very idea of Salvation is nihilistic and belongs to its own logic. The fundamental problem can be approached as the conflict between the escape to some metaphysical or transcendent instance — the State or the Revolution, material forms of the Kingdom —or the immersion— which implies the (...) whole assumption of suffering and enjoyment —in immanence. (shrink)

The present work proposes reflecting on the historical fact as a determinant of present life and, therefore, of the destiny of men, peoples, and civilizations. Considering what Nietzsche raised in the Second Untimely Consideration, history can be narrated in a monumental, antiquarian, or critical way. These constitute ways of living the present and one’s destiny. It seeks to understand each of these possible attitudes towards the past while investigating the meaning of this interpretation for today’s man, immersed in his unique (...) experience of temporality. (shrink)

This article explores the relationship between Heidegger’s philosophy and poetry in his habilitation and his first lectures in Freiburg. Although poetry as a particular phenomenon was not yet thematized by Heidegger, philosophy and language developed in its proximity since the habilitation text. Subsequently, a tragic quotation exemplifies the characterization of language as a premundane generality in his first lessons. The article elaborates an interpretation of the implicit relationship between philosophy and poetry based on the pre-mundane language [Vorweltliche] and its critique (...) of neo- Kantianism. This relationship is the phenomenological possibility of letting see through language, especially the phenomena of world and meaning. Therefore, phenomenology and poetry came together in Heidegger’s thought around those two central phenomena of his later ontology. (shrink)

We intend to analyze the relationship between Hans Blumenberg and Hannah Arendt around their anthropological perspectives to complement the vision of the former based on the particular way that the philosopher has of connecting with the practical and political world and, also to think about the implications that the anthropological perspective provided by Blumenberg has for practical reflection. In this sense, we focus on two themes: their reflection on the metaphor and the anthropological reading of the astronautical company. We will (...) link these topics with the development of a contempo- rary anthropology, that is to say, although it is not possible to achieve a substantialist definition of the human being, even so, the question about our own occurrence is fun- damental; in this case, the access route to anthropological doubt will be the metaphor. (shrink)

This article analyzes how public policies and regulations have affected the meaning of teaching philosophy in Colombia in the last two decades. Here, we analyze “Document 14”, the Critical Reading test in the “Saber 11” tests, the reform of the Bach- elor’s Degrees and the recent regulations on Qualified Registration and High Quality of university programs, which are structured from the notion of “learning outcomes”. The paper analyzes the norms and their reflection on the national philosophical community. Following Tovar’s hypothesis, (...) we intend to show that, as a consequence of these regula- tions, philosophy has been given an operative meaning oriented to the labor demand and “living together” education. This has occurred by sacrificing the richness and breadth of philosophy. Finally, the text reveals that the philosophical community has critically assumed the norms, constituting philosophical reflection on political action. (shrink)

This article rescues the original theory of violence that Jean-Paul Sartre developed in the late forties in Notebooks for an Ethics (1983). Notebooks is a posthumous and unfinished work in which the philosopher outlined the ethics promised in the last pages of Being and Nothingness. In this unfinished moral philosophy, violence is phenomenologically described as a human enterprise, freely chosen in an existential situation, which possesses the following essential features: the intransigent attitude, the destructive function, the dissociation of ends and (...) means, the rupture of bonds of solidarity, the magical belief, the self-justification, the demand and the devaluation of the freedom of others. The main objective of this article is to reconstruct this theory so that it is possible to judge its value today in the philosophical problem of defining what violence is. (shrink)

This article examines Gilles Deleuze’s 1986 letter to French film critic Serge Daney about cinema, television, and images in control societies through a Benjaminian lens. While neither Deleuze nor Daney deeply engage with Walter Benjamin’s thought, I argue that the ideas or dialectical images constructed by the German thinker are crucial to better understand Deleuze’s and Daney’s thoughts regarding the threatened death of modern cinema in the 1980s because of the predominance of television as a control apparatus. In the first (...) part of the article, I analyze the aesthetical and political meaning of the concept of history as/of perception. I also show affinities between Benjamin’s and Deleuze’s works through their connection to art historian Aloïs Riegl. In the sec- ond part, I demonstrate how Deleuze’s and Daney’s reflections about mannerism as a weapon against the rise of clichés and the ideology of the visible in control societies must be supplemented by Benjamin’s concept of “construction”. In conclusion, I draw on Benjamin’s discussion of politics as a body space to advocate for desiring mannerisms to fight control apparatuses and the reign of clichés. (shrink)

In this paper, I argue that the concept of culture industry developed by Max Horkheimer and Theodor W. Adorno had a decisive influence on Jean Godefroy Bidima’s critique of black African modernity. Drawing on some of his writings, I seek to demon- strate how Bidima’s philosophical endeavor inherits the concept of culture industry and applies it to the modern context of black Africa, where it is transformed into the concept of colonial industry. In both cases, the same critical perspective is (...) at play, namely to formulate a broad critique of how cultural products (artworks in Horkheimer and Adorno, and philosophy in Bidima) are deprived of their substance to align with the mystification of the masses. The critique of the culture industry, which serves in Adorno as a fundamental criticism of the production of modern art and its decadence into mass production serves, revisited in Bidima, as a critique of the modern black African philo- sophical discourse. With the light provided by this connection, I propose a rereading of Bidima’s critique of Fabien Eboussi Boulaga, the latter being presented as a promoter of a “discourse of mastery” in black African modern philosophy. (shrink)

As Adorno’s posthumous writings were released, a notable turn in his phi- losophy of music became noteworthy: by revealing an ambitious project on Beethoven, a quasi-axiomatic theory of musical time emerged, which seems to guide Adornian thought at very significant works and texts, as Philosophy of New Music. Sketched in three configuration types of musical time, this theory surprises with the so-called “ex- tensive type”. Adorno would then admit kinds of formal consistency (Stimmigkeit) that are not restricted to the ideal (...) of development (Entwicklung) and assumes the possibility of a non-regressive spatialization, which contrasts with his own ontological definition of the medium. This paper discusses the contradictions of extensive type by presenting an analysis of the Archduke Trio op. 97, in the light of the well-known originary affinity between Beethoven and Hegel. At last, the text presents by which means and for what reasons the extensive type would lead Adorno to the last and most decisive modality of musical time’s configuration, the late style. (shrink)

Günther Anders is still an almost secret thinker, even though his work has been progressively rediscovered in the last two decades. His reflections, moreover, are contained in a dispersed and varied work. That is why the purpose of these pages is pages is to reconstruct an aesthetical and political notion at the same time, present throughout it, to contribute to the discovery of a reading key that gives a unified image of this sparse set. It is about the idea of (...) the sensible opacity of the contemporary world, which would have been camouflaged in various ways to prevent human beings from becoming aware of their situation as mere co-historical beings with the actual subject of history, technique. Through the analysis of its origin in his early writings on the philosophy of particular arts (literature, music, plastic) to its generalization as a critical key to read the dangers of the contemporary world (his and ours), we intend highlight the actuality of critical and materialistic thought that, arisen in the heat of events, has left a valuable legacy to think about our own present. (shrink)

The article explores Adorno’s understanding of fetishism and melancholy as immanent to the artwork’s autonomous structure. In order to understand the relation between them, the Freudian understanding of fetishism and melancholy has to be considered along with the more explicit reference to the Marxist concept of commodity fetishism. Analysing the implications of Adorno’s claim that commodity fetishism is at the origin of artistic autonomy, the article shows how it should be understood not only as a materialist demystification but also as (...) a reaffirmation of art’s apparent self-sufficiency and its capacity to resist the commodification of society. Nevertheless—the article claims—thas this is only possible if art’s fetishism is dialectically opposed to its melancholy, through which art establishes a relation to the heterogeneous element of the lost object produced by its autonomous form. (shrink)

In the following Work we will analyze and interpret three elaborations around the conceptions related to things, intramundane entities and the practical occupation of Dasein in the world, in three works corresponding to three moments of Heidegger’s elaborations: the first, from the time of Sein und Zeit and the other two, to a transition period and after the Kehre. In this framework we intend to demonstrate and circumscribe the implications of the change in perspective in both periods, which move from (...) the centrality given to the practical and functional field of Dasein, to a markedly relational approach that is radicalized in his 1951 writing. This distinction allows us to identify and relate a displacement of the emphasis in the manual model of primary relationship with the world and in the ethical projections such treatments suppose. (shrink)

Presentation No 68 (Esthetics and critical Theory).

Recently, Critical Theory has been revisited due to the relevance of its critique of contemporary forms of alienation. This critique allows the unveiling of structural ele- ments of contemporary ways of life, offering an accurate analysis of the material and subjective causes of the current environmental crisis. An example of this contribution is Herbert Marcuse’s book Counterrevolution and Revolt, published in 1972. This article addresses the relationship between aesthetics and political ecology established in the main theses of Marcuse’s book. The (...) objective is to present how Marcuse employs the German philosophical tradition, more specifically elements of Kant’s Critique of the Power of Judgment and Marx’s Economic and Philosophical Manuscripts, to constitute a conceptual project of emancipation based on what he calls the aesthetic dimension. The article concludes by claiming that Marcuse’s critics and formulation entail a double requirement in which the field of Aesthetics has a central role. (shrink)

This work constitutes our first advance in the study of the work of the writer, art historian, critic, and German anarchist Carl Einstein. He proposes an analysis of the methodological, theoretical matrix on which he establishes his unique historiographical conception of 20th-century art, focusing on the period between the rise of the German expressionist movement and the avant-garde consolidation of Cubism. The proposed hypothesis maintains that Einstein finds in Cubism (especially in the works of Picasso, Braque, and Gris) a "method" (...) for his model of critical historicization of twentieth-century art rather than an "object" of investigation. (shrink)

In this paper, we delimit the moments in which, in “Doctrine of the Similar” and in “On the Mimetic Faculty”, reading and Sprache (speech, language, language) are inseparably linked to the category of “non-sensuous similarities.” In this conception, the analogical-proportional representation of traditional mimesis is dislocated by a rhetori- cal conception of symbolic experiences given by different semiotic forms. Moreover, the idealist ground of the symbolic is relocated in the specific area of language, in which the perception of similarities is (...) mediated by the instance of reading under the predominance of the dissimilar. Our fundamental purpose resides in exposing how this production of similarities, in contrast to those of the relational schematism of classical logicism and with the ground of idealistic determination of Kantian aesthetics, shows its paradoxical grounds in the mimetic reading. (shrink)

This essay aims to analyze Arendt’s reflections on the activity of thinking. This activity is essential to understanding our present and reconciling ourselves with contingency and human fragility. Unlike the philosophical tradition that has vindicated contemplative thinking, Arendt recovers the lost treasure of reflective thinking through the portraits of thinkers, such as Gotthold Ephraim Lessing, Walter Benjamin, Socrates, Immanuel Kant, and Franz Kafka. In dark times, when the public sphere is destroyed, the challenge of “thinking without banisters” implies an act (...) of political resistance, by trying to examine the devastating reality, even if the answers are not what we would like to see and hear. Through reflective thinking, we can open up to the world and the drama of human freedom with its heterogeneities and destructive leaks. (shrink)

This article relates four concepts present in the thought of Édouard Glissant (poetics, optionality, exteriority, and unlearning) to show that they are also present in different authors of decolonial theory. These concepts lead us out of the framework of modern hypercriticism and allow us to enter into a philosophy of relation that opens up new possibilities for intercultural encounters. Through the constant recourse to the contrast between Glissant and the decolonial school, the text goes through its classic themes, such as (...) the coloniality of power, knowledge and being, and decolonial pedagogy and feminism. (shrink)

In this review I present the approach, the structure and briefly the main ideas of the first chapters of this manual on recognition, chapters that are the ones that articulate the work. Synoptically, I then report the content of the articles that make up the book. The review ends with a brief assessment of the scope and importance of this manual for the subject it deals with, for its original presentation and the timeliness of its publication.

Este trabajo cuestiona el supuesto carácter intuitivo o natural del escepticismo acerca del mundo externo. En §1 examinamos una versión del argumento escéptico que se sostiene a partir de dos principios: clausura del conocimiento e indiferencia. Para profundizar la postura que ha defendido Michael Williams, en §2 ofrecemos un examen novedoso de la argumentación escéptica cartesiana que nos permite establecer que en dos argumentos de esta estrategia argumentativa resulta claro que la presunta naturalidad que el escéptico reclama es falsa y (...) que, antes bien, para lograr su conclusión, necesita asumir compromisos con el realismo epistémico, es decir, con la tesis de que nuestras creencias se ubican al interior de una jerarquía epistemológica de acuerdo únicamente con su contenido y en abstracto. Finalmente, basados en argumentos de inspiración wittgensteiniana, en §3 mostramos cómo es que, en contra del realismo epistémico, cada creencia desempeña un papel justificativo según el contexto pertinente. (shrink)

El texto versa sobre la crisis de la democracia y examina las posibilidades de la teoría de la reciprocidad para hacer frente a la misma. La teoría de la reciprocidad tiene un pie en el trabajo filosófico de Kant. Presentamos primero la relación entre crisis y crítica presente en su obra, para pasar a la rearticulación de la crítica en la teoría de la reciprocidad. Con ello, la democratización se presenta como un camino para hacer frente a la crisis. Puesto (...) que en tal terreno tienen un lugar central las redes de confianza y el don, examinaremos las capacidades que tales elementos ofrecen para hacer frente a la crisis. (shrink)

Acrasia es la palabra que se utilizaba en la Antigua Grecia para referirse al fenómeno que se produce cuando una persona no es capaz de actuar según lo que le dicta su razón moral. El presente artículo busca explicar este fenómeno desde una perspectiva aristotélica. La tesis que se propone es que, según Aristóteles, para llevar a cabo una acción virtuosa, no basta con conocer en qué consiste la virtud, sino que, además, se debe desear la virtud. La persona acrática (...) es aquella que, a pesar de conocer en qué consiste la virtud, no siente placer por actuar virtuosamente, pues no ha cultivado el hábito de actuar siguiendo a su razón. (shrink)

El presente artículo busca mostrar la relevancia de la filosofía de Spinoza con respecto a la realización de la libertad. Su idea de libertad no rechaza las emociones, y las vincula con nuestra capacidad de ser seres racionales. Spinoza es de los primeros filósofos que aprecia una dimensión interna de las emociones y la considera como parte de nuestra propia naturaleza, pues afirma que la esencia humana es el deseo mismo. El ser humano es consciente de este deseo, el cual (...) lo lleva a buscar modos de afirmar su propia existencia. Su noción de libertad, por ende, debe considerar todos estos elementos para poder plasmarse como algo realizable sin dejar de lado lo que nos hace humanos. (shrink)

Con Spinoza, la filosofía moderna alcanza una nueva comprensión de la subjetividad. Sobre la base de la crítica del racionalismo, Spinoza descubre, por primera vez, la afectividad para la filosofía. El filósofo reflexiona sobre la repercusión de los afectos en la formación del sujeto ético y piensa que el mayor conocimiento posible sobre los propios afectos redunda en la utilidad colectiva de la humanidad toda. Sostengo que, en la teoría general de los afectos que explica la naturaleza, principios y fundamentos (...) de los fenómenos afectivos, Spinoza anida una oportuna teoría del autoconocimiento. (shrink)

Las cada vez más álgidas investigaciones en torno a la naturaleza de la conciencia contrastan con una pérdida de interés en la noción de vida o en la delimitación conceptual de un organismo vivo. También contrastan, bien para refutar o adherirse, con la asunción de un modelo racional acabado y matemático del mundo reflejado en el predominio de propiedades medibles por sobre cualidades más sensibles de las cosas. El tratamiento del placer y la conciencia en Aristóteles y Husserl parece restaurar (...) y subvertir, respectivamente, modelos relegados y no tan relegados: en el primer caso, la noción de vida y actividad; en el segundo, el esquema de una razón teórica neutral. (shrink)

Dentro de la academia los estudios sobre el juego suelen ser marginados o subestimados como cuestiones secundarias al pensamiento, o como espacios de discusión dirigidos solamente al ocio contemplativo. Sin embargo, en oposición a este tipo de inferencias nos dedicaremos enteramente a reivindicar el papel del juego como fenómeno existencial fundamental en la pregunta por el ser y su relación con el mundo. En el presente trabajo propondremos un cruce lúdico y metafísico entre dos reconocidos pensadores: Carlos Astrada, filósofo argentino, (...) y Eugen Fink, filósofo alemán. Ambos autores comparten la herencia heideggeriana que pondrán en discusión y que servirá como hilo conductor del diálogo teórico sobre el carácter ontológico del juego. (shrink)

En contra de la interpretación de Anselm Jappe del fetichismo de la mercancía como contradicción principal del capitalismo, sostengo que su obra adolece de un sobredimensionamiento del fetichismo que resulta determinista y reduccionista, y que comprende la contradicción en la obra de Marx de un modo simplista. Ofrezco, en cambio, una interpretación del fetichismo que parte de la noción de que la mercancía es una cristalización de las relaciones sociales de las sociedades capitalistas junto con una defensa de la contradicción (...) como motor dinámico del capitalismo antes que como aspecto paradójico del mismo. (shrink)

En las protestas realizadas durante el 2022 y el 2023 en Perú, la prensa mayoritaria señaló la presencia de azuzadores jugando un rol causal significativo en la participación de los otros protestantes. Por otro lado, evidencia empírica sobre nuestras intuiciones acerca de desacuerdos morales (Khoo y Knobe 2018), parece señalar que la diferencia en el trasfondo cultural de los participantes en un desacuerdo moral influye en nuestra percepción sobre si ambas partes podrían estar defendiendo, en sus propios términos, algo simultáneamente (...) correcto. En este artículo, defiendo la idea de que la propuesta de cierto tipo de azuzadores tenía como efecto comunicativo el impedir que pensemos en los participantes del conflicto como defendiendo posturas simultáneamente válidas. (shrink)

El objetivo general de este texto es plantear una aproximación al concepto de género desde la crítica inmanente a la ideología propuesta por Rahel Jaeggi y considerando algunas de las contribuciones de Sally Haslanger en relación a los desafíos y tareas de la Teoría crítica. Sostengo que la crítica inmanente es una buena propuesta metodológica que permite abordar y clarificar patologías sociales en el mundo contemporáneo. En vistas de este objetivo, hago dialogar la metodología y consideraciones normativas de la crítica (...) inmanente con el análisis antropológico del concepto de género presentado en los trabajos de Joan Scott y Marta Lamas. (shrink)