Year:

  1.  4
    The Dialogues Bioregional Project: Landscape Ecology in Central Italy From the Sixth Century to the Present.Damiano Benvegnù - 2019 - Humanist Studies and the Digital Age 6 (1):69-85.
    Pope Gregory I, commonly known as Saint Gregory the Great, is celebrated for re-organizing both the institutional and liturgical life of the Roman Catholic Church; for instigating the first recorded large-scale mission from Rome to England; and for his writings. Among these, a distinct importance has been attributed to his “Dialogues,” a collection of four books of miracles, signs, wonders, and healings carried out by then little-known holy men, which represent a portion of central Italy as a sacred space where (...)
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  2.  2
    The Origins of Humanities Computing and the Digital Humanities Turn.Dino Buzzetti - 2019 - Humanist Studies and the Digital Age 6 (1):32-58.
    At its beginnings Humanities Computing was characterized by a primary interest in methodological issues and their epistemological background. Subsequently, Humanities Computing practice has been prevailingly driven by technological developments and the main concern has shifted from content processing to the representation in digital form of documentary sources. The Digital Humanities turn has brought more to the fore artistic and literary practice in direct digital form, as opposed to a supposedly commonplace application of computational methods to scholarly research. As an example (...)
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  3.  2
    Noisemakers! Putting the Analog in Digital Humanities.Serena Ferrando & Mark Wardecker - 2019 - Humanist Studies and the Digital Age 6 (1):59-68.
    Noisefest! is an interactive, multisensory experience centered around a small Maine town and rooted in the sounds and noise of its streets. Comprising a Virtual Reality tour, soundwalks and remixes, a 2D laser cut geographical map with Arduino controllers, and a Futuristic noise intoner, one of the objectives of this collaborative, transdisciplinary, and theory-based project is to create concrete opportunities for students to participate in the “real” world and engage with the materiality of noise and its manifestations by interacting with (...)
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  4.  3
    Pierre Lévy and the Future of Internet.Massimo Lollini - 2019 - Humanist Studies and the Digital Age 6 (1):1-4.
    Semantic Metadata, Humanist Computing and Digital Humanities, opens with an important interview with Pierre Lévy that reconstructs the key moments of his philosophical vision of the internet, and the World Wide Web, up to his most recent and highly innovative proposal of the Information Economy MetaLanguage. In the “Interventions” section our journal features an important reflection by Dino Buzzetti on the distinction between Humanities Computing and Digital Humanities. The essay, originally published in Italian, critically supports the rationales behind Humanities Computing, (...)
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  5.  4
    Collective Intelligence, the Future of Internet and the IEML.Massimo Lollini, Arthur Farley & Pierre Levy - 2019 - Humanist Studies and the Digital Age 6 (1):5-31.
    Collective Intelligence, the book in French, that Pierre Levy wrote before the existence of the worldwide web, when only the Internet existed, it's a philosophical vision of the future, a philosophical vision of what could be a global civilization based on the digital and the general interconnection of all the computers. In the interview, Levy addresses the creation o the WWW by Tim Berners Lee as a form of collective intelligence. He then discusses Berners Lee's proposal for a reform of (...)
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  6.  2
    #LauraSpeaks: Remediations of Pellegra Bongiovanni’s “Risposte”.Gerardo Pisacane, Elisa Briante & Marena Lear - 2019 - Humanist Studies and the Digital Age 6 (1):86-117.
    This paper examines the implications of digital remediation which translates and transforms an older text, endowing it with new life, in relation to the project #LauraSpeaks, a translation and remediation of Pellegra Bongiovanni’s Risposte di Madonna Laura alle rime di Messer Francesco Petrarca, in nome della medesima. Divided into three different sections, it describes the steps involved in this project, from the discovery of the original text and the analysis of Bongiovanni’s contribution within the realm of Petrarchism, moving to a (...)
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