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  1.  3
    John Muir's Environmental Aesthetics: Interweaving the Aesthetic, Religious, and Scientific.Emily Brady - 2018 - Journal of Aesthetics and Art Criticism 76 (4):463-472.
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  2.  1
    Environmental Aesthetics, Ethics, and Ecoaesthetics.Allen Carlson - 2018 - Journal of Aesthetics and Art Criticism 76 (4):399-410.
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  3.  2
    Moral Cultivation: Japanese Gardens, Personal Ideals, and Ecological Citizenship.Julianne Chung - 2018 - Journal of Aesthetics and Art Criticism 76 (4):507-518.
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  4.  4
    The Animal Is Present: The Ethics of Animal Use in Contemporary Art.Anthony Cross - 2018 - Journal of Aesthetics and Art Criticism 76 (4):519-528.
    In recent years, an increasing number of contemporary artists have incorporated live animals into their work. Although this development has attracted a great deal of attention in the artworld and among animal rights activists, it has not been much discussed in the philosophy of art—which is quite remarkable, given the serious ethical and artistic questions that these artworks prompt. I focus on answering two such questions. First, is the use of animals in these artworks ethically objectionable? Or are such artworks (...)
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  5.  4
    Loving Nature.Dale Jamieson - 2018 - Journal of Aesthetics and Art Criticism 76 (4):485-495.
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  6.  3
    The Role of Awe in Environmental Ethics.Katie Mcshane - 2018 - Journal of Aesthetics and Art Criticism 76 (4):473-484.
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  7.  2
    The Interaction of Ethics and Aesthetics in Environmental Art.Ted Nannicelli - 2018 - Journal of Aesthetics and Art Criticism 76 (4):497-506.
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  8.  2
    Place Matters.Ariane Nomikos - 2018 - Journal of Aesthetics and Art Criticism 76 (4):453-462.
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  9.  1
    Nature Aesthetics and the Respect Argument.Glenn Parsons - 2018 - Journal of Aesthetics and Art Criticism 76 (4):411-418.
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  10.  2
    Consumer Aesthetics and Environmental Ethics: Problems and Possibilities.Yuriko Saito - 2018 - Journal of Aesthetics and Art Criticism 76 (4):429-439.
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  11.  1
    Introduction to “The Good, the Beautiful, the Green: Environmentalism and Aesthetics”.Sandra Shapshay & Levi Tenen - 2018 - Journal of Aesthetics and Art Criticism 76 (4):391-397.
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  12.  2
    Complicating Aesthetic Environmentalism: Four Criticisms of Aesthetic Motivations for Environmental Action.Duncan C. Stewart & Taylor N. Johnson - 2018 - Journal of Aesthetics and Art Criticism 76 (4):441-451.
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  13. Aesthetics of Nature, Constitutive Goods, and Environmental Conservation: A Defense of Moderate Formalist Aesthetics.Jennifer Welchman - 2018 - Journal of Aesthetics and Art Criticism 76 (4):419-428.
    Scientific cognitivists argue formalist aesthetics of nature are (i) inadequate for appreciating the full range of nature’s aesthetic values and (ii) too subjective to be useful for defending nature conservation. I argue that (i) is false because moderate formalists can appreciate nature for its performances, not merely objects and vistas. I argue (ii) is false because moderate formalists can argue that appreciation of beauty (including natural beauty) is a constitutive good of human flourishing, whose realization relies on access to a (...)
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  14.  13
    Macbeth, Throne of Blood, and the Idea of a Reflective Adaptation.Gregory Currie & Tzachi Zamir - 2018 - Journal of Aesthetics and Art Criticism 76 (3):297-308.
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  15.  6
    A Definition of Satire.Dieter Declercq - 2018 - Journal of Aesthetics and Art Criticism 76 (3):319-330.
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  16.  2
    MOI, TORIL. Revolution of the Ordinary: Literary Studies After Wittgenstein, Austin, and Cavell. Chicago and London: The University of Chicago Press, 2017. Xiv + 290 Pp.NORRIS, ANDREW. Becoming Who We Are: Politics and Practical Philosophy in the Work Of. [REVIEW]Michael Fischer - 2018 - Journal of Aesthetics and Art Criticism 76 (3):371-375.
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  17.  5
    HILGERS, THOMAS. Aesthetic Disinterestedness: Art, Experience, and the Self. New York and London: Routledge, 2017, Ix +190 Pp. [REVIEW]Carol S. Gould - 2018 - Journal of Aesthetics and Art Criticism 76 (3):366-368.
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  18.  2
    Hollow Sounds: Toward a Zen-Derived Aesthetics of Contemporary Music.Daryl Jamieson - 2018 - Journal of Aesthetics and Art Criticism 76 (3):331-340.
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  19. TRIVEDI, SAAM. Imagination, Music, and the Emotions: A Philosophical Study. SUNY Press, 2017, Ix + 194 Pp., $80.00. [REVIEW]Jennifer Judkins - 2018 - Journal of Aesthetics and Art Criticism 76 (3):365-366.
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  20.  12
    Visualizing and Visualizing Representations.Derek Matravers - 2018 - Journal of Aesthetics and Art Criticism 76 (3):275-284.
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  21.  14
    Every Performance Is a Stage: Musical Stage Theory as a Novel Account for the Ontology of Musical Works.Caterina Moruzzi - 2018 - Journal of Aesthetics and Art Criticism 76 (3):341-351.
    This paper defends Musical Stage Theory as a novel account of the ontology of musical works. Its main claim is that a musical work is a performance. The significance of this argument is twofold. First, it demonstrates the availability of an alternative, and ontologically tenable, view to well-established positions in the current debate on musical metaphysics. Second, it shows how the revisionary approach of Musical Stage Theory actually provides a better account of the ontological status of musical works.
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  22.  3
    STOCK, KATHLEEN. Only Imagine. Oxford University Press, 2017, Ix + 222 Pp., $60 Cloth. [REVIEW]Sofia Ortiz-Hinojosa - 2018 - Journal of Aesthetics and Art Criticism 76 (3):353-356.
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  23.  1
    Benitez, Rick, and Keping Wang . Reflections on Plato's Poetics: Essays From Beijing. Academic Printing & Publishing, 2016, IX + 245 Pp., $45.00 Cloth. [REVIEW]Nickolas Pappas - 2018 - Journal of Aesthetics and Art Criticism 76 (3):368-371.
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  24.  3
    WORTH, SARAH E. In Defense of Reading. London: Rowan and Littlefield International, 2017, Xviii + 221 Pp., $39.95 Paper. [REVIEW]Stephanie Patridge - 2018 - Journal of Aesthetics and Art Criticism 76 (3):359-362.
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  25.  1
    Qur'anic Recitation and The Aesthetics of Piety.Rita Elizabeth Risser - 2018 - Journal of Aesthetics and Art Criticism 76 (3):309-318.
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  26. KOTTMAN, PAUL A., Ed. The Insistence of Art: Aesthetic Philosophy After Early Modernity. Fordham University Press, 2017, Vi + 298 Pp., 26 B&W Illus., $35.00 Paper. [REVIEW]Ahilleas Rokni - 2018 - Journal of Aesthetics and Art Criticism 76 (3):375-378.
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  27.  13
    The Nature of the Interaction Between Moral and Artistic Value.Moonyoung Song - 2018 - Journal of Aesthetics and Art Criticism 76 (3):285-295.
    This article aims to advance our understanding of the interaction between moral and artistic value by asking what it means that an artwork's moral virtue or defect is an artistic virtue or defect and how we can prove or disprove such a claim. I approach these questions first by distinguishing between intrinsic and contextual value interactions and then by examining two strategies commonly used to establish claims about contextual value interaction: (1) appealing to the counterfactual dependence of the work's artistic (...)
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  28.  2
    SMITH, MURRAY. Film, Art, and the Third Culture: A Naturalized Aesthetics of Film. Oxford University Press, 2017, Xiii + 294 Pp., 32 B&W Illust., $45.00 Cloth. [REVIEW]Katherine Thomson-Jones - 2018 - Journal of Aesthetics and Art Criticism 76 (3):356-359.
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  29.  1
    Hick, Darren Hudson. Artistic License: The Philosophical Problems of Copyright and Appropriation. The University of Chicago Press, 2017, VIII + 231 Pp., $30.00 Paper. [REVIEW]James O. Young - 2018 - Journal of Aesthetics and Art Criticism 76 (3):362-365.
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  30.  7
    YOUNG, ALISON. Street Art World. New York: Reaktion Books, 2016, 256 Pp., 70 Color + 50 B&W Illus., $75.00 Cloth. [REVIEW]Sondra Bacharach - 2018 - Journal of Aesthetics and Art Criticism 76 (2):243-246.
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  31.  10
    Sugar and Spice, and Everything Nice: What Rough Heroines Tell Us About Imaginative Resistance.Adriana Clavel-Vazquez - 2018 - Journal of Aesthetics and Art Criticism 76 (2):201-212.
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  32.  5
    Mininger, J. D. And Jason Michael Peck, Eds. German Aesthetics: Fundamental Concepts From Baumgarten to Adorno. New York: Bloomsbury Academic, 2016, XI + 269 Pp., $120.00 Cloth. [REVIEW]Guy Elgat - 2018 - Journal of Aesthetics and Art Criticism 76 (2):254-258.
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  33.  2
    DODD, JULIAN, Ed. Art, Mind, and Narrative: Themes From the Work of Peter Goldie. Oxford University Press, 2017, Xv + 271 Pp., $74.00 Cloth. [REVIEW]Lindsey Fiorelli - 2018 - Journal of Aesthetics and Art Criticism 76 (2):237-240.
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  34.  2
    Jazz and Musical Works: Hypnotized by the Wrong Model.John Andrew Fisher - 2018 - Journal of Aesthetics and Art Criticism 76 (2):151-162.
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  35.  13
    Why Gamers Are Not Performers.Andrew Kania - 2018 - Journal of Aesthetics and Art Criticism 76 (2):187-199.
    I argue that even if video games are interactive artworks, typical video games are not works for performance and players of video games do not perform these games in the sense in which a musician performs a musical composition (or actors a play, dancers a ballet, and so on). Even expert playings of video games for an audience fail to qualify as performances of those works. Some exemplary playings may qualify as independent “performance-works,” but this tells us nothing about the (...)
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  36. Review of Patina: A Profane Archaeology, by Shannon Lee Dawdy. [REVIEW]Erich Hatala Matthes - 2018 - Journal of Aesthetics and Art Criticism 76 (2):249-252.
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  37.  3
    Are You Ready for Some Football? A Monday Night Documentary?Henry John Pratt - 2018 - Journal of Aesthetics and Art Criticism 76 (2):213-223.
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  38.  2
    Winckelmann on Taste: A Somaesthetic Perspective.Richard Shusterman - 2018 - Journal of Aesthetics and Art Criticism 76 (2):175-186.
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  39.  1
    CHAOULI, MICHEL. Thinking with Kant's Critique of Judgment, Harvard University Press, 2017, Xv + 312 Pp., $45.00 Cloth. [REVIEW]Samuel Stoner - 2018 - Journal of Aesthetics and Art Criticism 76 (2):246-249.
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  40.  13
    Kant on Informed Pure Judgments of Taste.Emine Hande Tuna - 2018 - Journal of Aesthetics and Art Criticism 76 (2):163-174.
    Two dominant interpretations of Kant's notion of adherent beauty, the conjunctive view and the incorporation view, provide an account of how to form informed aesthetic assessments concerning artworks. According to both accounts, judgments of perfection play a crucial role in making informed, although impure, judgments of taste. These accounts only examine aesthetic responses to objects that meet or fail to meet the expectations we have regarding what they ought to be. I demonstrate that Kant's works of genius do not fall (...)
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  41. BERGER, SUSANNA. The Art of Philosophy: Visual Thinking in Europe From the Late Renaissance to the Early Enlightenment. Princeton University Press, 2017, 352 Pp., 30 Color + 169 B&W Illus., $65.00 Cloth. [REVIEW]Thomas E. Wartenberg - 2018 - Journal of Aesthetics and Art Criticism 76 (2):258-260.
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  42. YOUMANS, CHARLES. Mahler & Strauss: In Dialogue. Indiana University Press, 2016, 283 Pp., $42.00 Cloth. [REVIEW]Jeffrey Wieand - 2018 - Journal of Aesthetics and Art Criticism 76 (2):252-254.
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  43. Man, Eva Kit Wah, Bodies in China: Philosophy, Aesthetics, Gender, and Politics. State University of New York Press, 2017, XXV + 257 Pp., 22 Color Illus., $52.00 Cloth. [REVIEW]Mary Bittner Wiseman - 2018 - Journal of Aesthetics and Art Criticism 76 (2):240-243.
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  44.  3
    LEVINSON, JERROLD. Aesthetic Pursuits: Essays in the Philosophy of Art. Oxford University Press, 2017, 197 Pp., $55.00 Cloth. [REVIEW]James O. Young - 2018 - Journal of Aesthetics and Art Criticism 76 (2):235-237.
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  45.  23
    Art as Alchemy: The Bildobjekt Interpretation of Pictorial Illusion.Jens Dam Ziska - 2018 - Journal of Aesthetics and Art Criticism 76 (2):225-234.
    I argue that if we read E. H. Gombrich's Art and Illusion with the charity that it deserves, we will find a much subtler theory of depiction than the illusion theory that is usually attributed to Gombrich. Instead of suggesting that pictures are illusory because they cause us to have experiences as of seeing the depicted objects face to face, I argue that Art and Illusion is better read as making the point that naturalistic pictures are illusory because they cause (...)
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  46.  7
    BANWELL, JULIA. Teresa Margolles and the Aesthetics of Death. University of Wales Press, 2015, 240 Pp., 8 Color + 39 B&W Illus., $160.00 Cloth. [REVIEW]Jessica Adkins - 2018 - Journal of Aesthetics and Art Criticism 76 (1):129-131.
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  47.  8
    Is There a Methodological Divide Between Analytic and Continental Philosophy of Music? Response to Roholt. Andreasvrahimis - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  48.  2
    GUYER, PAUL. A History of Modern Aesthetics, Volume 3: The Twentieth Century. Cambridge University Press, 2014, Vii + 604 Pp., $355.00 Cloth [for 3‐Volume Set]. [REVIEW] Aratahamawaki - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  49.  12
    Excess in Art: The Case of Oversinging.Jeanette Bicknell - 2018 - Journal of Aesthetics and Art Criticism 76 (1):83-92.
    “Oversinging” is singing that is excessive in one or more dimensions: too loud, too ornamented, too melismatic, too expressive, or employing too much vibrato. I begin with a characterization of oversinging and establish a context for discussion. Next I consider performances by Christina Aguilera and Michael Bolton as examples. In light of these examples, I consider how oversinging might be both aesthetically and morally problematic. Along the way I raise concerns about authenticity and sincerity. Finally, I consider a “paradox” of (...)
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  50.  18
    A Recalcitrant Problem for Abstract Creationism.Stuart Brock - 2018 - Journal of Aesthetics and Art Criticism 76 (1):93-98.
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  51.  2
    BOGOST, IAN. Play Anything: The Pleasure of Limits, the Uses of Boredom, and the Secret of Games. New York: Basic Books, 2016, Xiv + 267 Pp., $26.99 Cloth. [REVIEW] Caseyhaskins - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  52.  5
    Artistic Integrity. Claudiamills - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  53.  3
    Psychologism About Artistic Plans: A Response to Rohrbaugh.Wesley D. Cray - 2018 - Journal of Aesthetics and Art Criticism 76 (1):101-104.
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  54.  3
    Hogan, Patrick Colm. Beauty and Sublimity: A Cognitive Aesthetics of Literature and the Arts. Cambridge University Press, 2016, IX + 286 Pp., $110.00 Cloth. [REVIEW]Nick Curry - 2018 - Journal of Aesthetics and Art Criticism 76 (1):126-129.
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  55.  3
    IRVIN, SHERRI, Ed. Body Aesthetics. Oxford University Press, 2016, Xvii + 330 Pp., 34 B&W Illus., $74.00 Cloth. [REVIEW] Cynthiafreeland - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  56.  8
    The Japanese Tea Ceremony and Pancultural Definitions of Art. Danielwilson - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  57.  4
    A Problem for All of Creation. Davidfriedell - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  58.  3
    COOPER, ANDREW. The Tragedy of Philosophy: Kant's Critique of Judgment and the Project of Aesthetics. State University of New York Press, 2016, Xvi + 298 Pp., $90.00 Cloth. [REVIEW] Davidjohnson - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  59.  15
    IRVIN, SHERRI, Ed. Body Aesthetics. Oxford University Press, 2016, Xvii + 330 Pp., 34 B&W Illus., $74.00 Cloth. [REVIEW]Cynthia Freeland - 2018 - Journal of Aesthetics and Art Criticism 76 (1):116-119.
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  60.  7
    A Problem for All of Creation.David Friedell - 2018 - Journal of Aesthetics and Art Criticism 76 (1):98-101.
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  61.  4
    Psychologism About Artistic Plans: Reply to Cray. Guyrohrbaugh - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  62.  5
    Gillespie, Michael Boyce. Film Blackness: American Cinema and the Idea of Black Film. Duke University Press, 2016, 248 Pp., 50 B&W Illus., $23.95 Paper. [REVIEW]Kevin Jack Hagopian - 2018 - Journal of Aesthetics and Art Criticism 76 (1):119-123.
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  63.  4
    GUYER, PAUL. A History of Modern Aesthetics, Volume 3: The Twentieth Century. Cambridge University Press, 2014, Vii + 604 Pp., $355.00 Cloth [for 3‐Volume Set]. [REVIEW]Arata Hamawaki - 2018 - Journal of Aesthetics and Art Criticism 76 (1):113-116.
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  64.  6
    BOGOST, IAN. Play Anything: The Pleasure of Limits, the Uses of Boredom, and the Secret of Games. New York: Basic Books, 2016, Xiv + 267 Pp., $26.99 Cloth. [REVIEW]Casey Haskins - 2018 - Journal of Aesthetics and Art Criticism 76 (1):123-126.
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  65.  2
    Revisiting Arnheim and Gombrich in Social Scientific Perspective. Ianverstegen - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  66.  1
    Gillespie, Michael Boyce. Film Blackness: American Cinema and the Idea of Black Film. Duke University Press, 2016, 248 Pp., 50 B&W Illus., $23.95 Paper. [REVIEW]Kevin Jackhagopian - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  67.  4
    Excess in Art: The Case of Oversinging. Jeanettebicknell - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  68.  2
    BANWELL, JULIA. Teresa Margolles and the Aesthetics of Death. University of Wales Press, 2015, 240 Pp., 8 Color + 39 B&W Illus., $160.00 Cloth. [REVIEW] Jessicaadkins - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  69.  8
    COOPER, ANDREW. The Tragedy of Philosophy: Kant's Critique of Judgment and the Project of Aesthetics. State University of New York Press, 2016, Xvi + 298 Pp., $90.00 Cloth. [REVIEW]David Johnson - 2018 - Journal of Aesthetics and Art Criticism 76 (1):131-134.
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  70.  2
    BICKNELL, JEANETTE. Philosophy of Song and Singing: An Introduction. New York: Routledge, 2015, Xii + 127 Pages, $49.95 Paper. [REVIEW] Justinlondon - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  71.  13
    Aesthetics Makes Nothing Happen? The Role of Aesthetic Properties in the Constitution of Non‐Aesthetic Value.María José Alcaraz León - 2018 - Journal of Aesthetics and Art Criticism 76 (1):21-31.
    The relationship between aesthetic value and other moral and cognitive values has been a key theme within contemporary aesthetic discussion. In this article, I explore once again the implications of this relationship, but from what I think might be a different angle. With few exceptions, notably Dominic Lopes, most of the contributions to this issue have dealt with the impact that moral or cognitive values could possibly have on the overall aesthetic value of a work of art. In this article, (...)
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  72.  2
    Aesthetics Makes Nothing Happen? The Role of Aesthetic Properties in the Constitution of Non‐Aesthetic Value.María Joséalcaraz León - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  73.  11
    The Property Theory of Musical Works.Philip Letts - 2018 - Journal of Aesthetics and Art Criticism 76 (1):57-69.
    The property theory of musical works says that each musical work is a property that is instantiated by its occurrences, that is, the work's performances and playings. The property theory provides ontological explanations very similar to those given by its popular cousin, the type/token theory of musical works, but it is both simpler and stronger. However, type/token theorists often dismiss the property theory. In this essay, I formulate a version of the property theory that identifies each type with a unique (...)
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  74.  3
    BICKNELL, JEANETTE. Philosophy of Song and Singing: An Introduction. New York: Routledge, 2015, Xii + 127 Pages, $49.95 Paper. [REVIEW]Justin London - 2018 - Journal of Aesthetics and Art Criticism 76 (1):137-140.
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  75.  5
    Artistic Integrity.Claudia Mills - 2018 - Journal of Aesthetics and Art Criticism 76 (1):9-20.
    This article explores the philosophically neglected topic of artistic integrity, situated within the literature on personal or moral integrity more generally. It argues that artists lack artistic integrity if, in the process of creation, they place some other—competing, distracting, or corrupting—value over the value of the artwork itself, in a way that violates their own artistic standards. It also argues, however, that artistic integrity does not require adamant refusal to acknowledge or act upon commitments to values other than single-minded devotion (...)
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  76.  4
    Hogan, Patrick Colm. Beauty and Sublimity: A Cognitive Aesthetics of Literature and the Arts. Cambridge University Press, 2016, IX + 286 Pp., $110.00 Cloth. [REVIEW] Nickcurry - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  77.  5
    The Property Theory of Musical Works. Philipletts - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  78.  5
    Psychologism About Artistic Plans: Reply to Cray.Guy Rohrbaugh - 2018 - Journal of Aesthetics and Art Criticism 76 (1):105-107.
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  79.  24
    Assessing Socially Engaged Art.Vid Simoniti - 2018 - Journal of Aesthetics and Art Criticism 76 (1):71-82.
    The last twenty-five years have seen a radical shift in the work of politically committed artists. No longer content to merely represent social reality, a new generation of artists has sought to change it, blending art with activism, social regeneration projects, and even violent political action. I assess how this form of contemporary art should lead us to rethink theories of artistic value and argue that these works make a convincing case for an often-dismissed position, namely, the pragmatic view of (...)
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  80.  6
    Zeimbekis, John, and Athanassios Raftopoulos, Eds. The Cognitive Penetrability of Perception: New Philosophical Perspectives. Oxford University Press, 2015, 376 Pp., 14 B&W Illus., $99.00 Cloth. [REVIEW]Sue Spaid - 2018 - Journal of Aesthetics and Art Criticism 76 (1):134-137.
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  81.  12
    A Recalcitrant Problem for Abstract Creationism. Stuartbrock - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  82.  3
    Zeimbekis, John, and Athanassios Raftopoulos, Eds. The Cognitive Penetrability of Perception: New Philosophical Perspectives. Oxford University Press, 2015, 376 Pp., 14 B&W Illus., $99.00 Cloth. [REVIEW] Suespaid - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  83.  6
    Revisiting Arnheim and Gombrich in Social Scientific Perspective.Ian Verstegen - 2018 - Journal of Aesthetics and Art Criticism 76 (1):45-55.
    This article revisits an earlier social scientific analysis of the thought of Rudolf Arnheim and E. H. Gombrich. Adding to the earlier analysis in terms of social ontology and historical development is an analysis of the sufficiency of perception to yield information about the world, both in ordinary and in artistic contexts. Gombrich held to an idea of perception as hypothesis testing, and it joins with Popper's philosophy in the deferred warrant of the perceptual image. Arnheim, instead, followed the Gestalt (...)
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  84.  7
    Assessing Socially Engaged Art. Vidsimoniti - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  85.  8
    Is There a Methodological Divide Between Analytic and Continental Philosophy of Music? Response to Roholt.Andreas Vrahimis - 2018 - Journal of Aesthetics and Art Criticism 76 (1):108-111.
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  86.  14
    The Japanese Tea Ceremony and Pancultural Definitions of Art.Daniel Wilson - 2018 - Journal of Aesthetics and Art Criticism 76 (1):33-44.
    Dominic McIver Lopes and Yuriko Saito claim that the Japanese tea ceremony, or chadō, is a non-Western art form. Stephen Davies also defends that claim. In this article, I utilize the tea ceremony as a test case for pancultural definitions of art that claim to be inclusive of non-Western cultures without relying on Western ethnocentrism to justify their status as artworks. I argue that Davies's hybrid definition is not justified in assuming a homogenous art tradition and/or a unified conception of (...)
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