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  1.  2
    YOUNG, ALISON. Street Art World. New York: Reaktion Books, 2016, 256 Pp., 70 Color + 50 B&W Illus., $75.00 Cloth. [REVIEW]Sondra Bacharach - 2018 - Journal of Aesthetics and Art Criticism 76 (2):243-246.
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  2.  2
    Sugar and Spice, and Everything Nice: What Rough Heroines Tell Us About Imaginative Resistance.Adriana Clavel-Vazquez - 2018 - Journal of Aesthetics and Art Criticism 76 (2):201-212.
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  3. Mininger, J. D. And Jason Michael Peck, Eds. German Aesthetics: Fundamental Concepts From Baumgarten to Adorno. New York: Bloomsbury Academic, 2016, XI + 269 Pp., $120.00 Cloth. [REVIEW]Guy Elgat - 2018 - Journal of Aesthetics and Art Criticism 76 (2):254-258.
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  4. DODD, JULIAN, Ed. Art, Mind, and Narrative: Themes From the Work of Peter Goldie. Oxford University Press, 2017, Xv + 271 Pp., $74.00 Cloth. [REVIEW]Lindsey Fiorelli - 2018 - Journal of Aesthetics and Art Criticism 76 (2):237-240.
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  5.  1
    Jazz and Musical Works: Hypnotized by the Wrong Model.John Andrew Fisher - 2018 - Journal of Aesthetics and Art Criticism 76 (2):151-162.
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  6.  2
    Why Gamers Are Not Performers.Andrew Kania - 2018 - Journal of Aesthetics and Art Criticism 76 (2):187-199.
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  7.  88
    Review of Patina: A Profane Archaeology, by Shannon Lee Dawdy. [REVIEW]Erich Hatala Matthes - 2018 - Journal of Aesthetics and Art Criticism 76 (2):249-252.
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  8.  2
    Are You Ready for Some Football? A Monday Night Documentary?Henry John Pratt - 2018 - Journal of Aesthetics and Art Criticism 76 (2):213-223.
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  9.  1
    Winckelmann on Taste: A Somaesthetic Perspective.Richard Shusterman - 2018 - Journal of Aesthetics and Art Criticism 76 (2):175-186.
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  10. CHAOULI, MICHEL. Thinking with Kant's Critique of Judgment, Harvard University Press, 2017, Xv + 312 Pp., $45.00 Cloth. [REVIEW]Samuel Stoner - 2018 - Journal of Aesthetics and Art Criticism 76 (2):246-249.
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  11.  1
    Kant on Informed Pure Judgments of Taste.Emine Hande Tuna - 2018 - Journal of Aesthetics and Art Criticism 76 (2):163-174.
  12. BERGER, SUSANNA. The Art of Philosophy: Visual Thinking in Europe From the Late Renaissance to the Early Enlightenment. Princeton University Press, 2017, 352 Pp., 30 Color + 169 B&W Illus., $65.00 Cloth. [REVIEW]Thomas E. Wartenberg - 2018 - Journal of Aesthetics and Art Criticism 76 (2):258-260.
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  13. YOUMANS, CHARLES. Mahler & Strauss: In Dialogue. Indiana University Press, 2016, 283 Pp., $42.00 Cloth. [REVIEW]Jeffrey Wieand - 2018 - Journal of Aesthetics and Art Criticism 76 (2):252-254.
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  14. Man, Eva Kit Wah, Bodies in China: Philosophy, Aesthetics, Gender, and Politics. State University of New York Press, 2017, XXV + 257 Pp., 22 Color Illus., $52.00 Cloth. [REVIEW]Mary Bittner Wiseman - 2018 - Journal of Aesthetics and Art Criticism 76 (2):240-243.
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  15. LEVINSON, JERROLD. Aesthetic Pursuits: Essays in the Philosophy of Art. Oxford University Press, 2017, 197 Pp., $55.00 Cloth. [REVIEW]James O. Young - 2018 - Journal of Aesthetics and Art Criticism 76 (2):235-237.
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  16.  7
    Art as Alchemy: The Bildobjekt Interpretation of Pictorial Illusion.Jens Dam Ziska - 2018 - Journal of Aesthetics and Art Criticism 76 (2):225-234.
    I argue that if we read E. H. Gombrich's Art and Illusion with the charity that it deserves, we will find a much subtler theory of depiction than the illusion theory that is usually attributed to Gombrich. Instead of suggesting that pictures are illusory because they cause us to have experiences as of seeing the depicted objects face to face, I argue that Art and Illusion is better read as making the point that naturalistic pictures are illusory because they cause (...)
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  17.  7
    BANWELL, JULIA. Teresa Margolles and the Aesthetics of Death. University of Wales Press, 2015, 240 Pp., 8 Color + 39 B&W Illus., $160.00 Cloth. [REVIEW]Jessica Adkins - 2018 - Journal of Aesthetics and Art Criticism 76 (1):129-131.
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  18.  4
    Is There a Methodological Divide Between Analytic and Continental Philosophy of Music? Response to Roholt. Andreasvrahimis - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  19.  1
    GUYER, PAUL. A History of Modern Aesthetics, Volume 3: The Twentieth Century. Cambridge University Press, 2014, Vii + 604 Pp., $355.00 Cloth [for 3‐Volume Set]. [REVIEW] Aratahamawaki - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  20.  10
    Excess in Art: The Case of Oversinging.Jeanette Bicknell - 2018 - Journal of Aesthetics and Art Criticism 76 (1):83-92.
    “Oversinging” is singing that is excessive in one or more dimensions: too loud, too ornamented, too melismatic, too expressive, or employing too much vibrato. I begin with a characterization of oversinging and establish a context for discussion. Next I consider performances by Christina Aguilera and Michael Bolton as examples. In light of these examples, I consider how oversinging might be both aesthetically and morally problematic. Along the way I raise concerns about authenticity and sincerity. Finally, I consider a “paradox” of (...)
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  21.  14
    A Recalcitrant Problem for Abstract Creationism.Stuart Brock - 2018 - Journal of Aesthetics and Art Criticism 76 (1):93-98.
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  22.  2
    BOGOST, IAN. Play Anything: The Pleasure of Limits, the Uses of Boredom, and the Secret of Games. New York: Basic Books, 2016, Xiv + 267 Pp., $26.99 Cloth. [REVIEW] Caseyhaskins - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  23.  3
    Artistic Integrity. Claudiamills - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  24.  3
    Psychologism About Artistic Plans: A Response to Rohrbaugh.Wesley D. Cray - 2018 - Journal of Aesthetics and Art Criticism 76 (1):101-104.
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  25.  2
    Hogan, Patrick Colm. Beauty and Sublimity: A Cognitive Aesthetics of Literature and the Arts. Cambridge University Press, 2016, IX + 286 Pp., $110.00 Cloth. [REVIEW]Nick Curry - 2018 - Journal of Aesthetics and Art Criticism 76 (1):126-129.
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  26.  1
    IRVIN, SHERRI, Ed. Body Aesthetics. Oxford University Press, 2016, Xvii + 330 Pp., 34 B&W Illus., $74.00 Cloth. [REVIEW] Cynthiafreeland - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  27.  6
    The Japanese Tea Ceremony and Pancultural Definitions of Art. Danielwilson - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  28.  4
    A Problem for All of Creation. Davidfriedell - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  29.  3
    COOPER, ANDREW. The Tragedy of Philosophy: Kant's Critique of Judgment and the Project of Aesthetics. State University of New York Press, 2016, Xvi + 298 Pp., $90.00 Cloth. [REVIEW] Davidjohnson - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  30.  5
    IRVIN, SHERRI, Ed. Body Aesthetics. Oxford University Press, 2016, Xvii + 330 Pp., 34 B&W Illus., $74.00 Cloth. [REVIEW]Cynthia Freeland - 2018 - Journal of Aesthetics and Art Criticism 76 (1):116-119.
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  31.  5
    A Problem for All of Creation.David Friedell - 2018 - Journal of Aesthetics and Art Criticism 76 (1):98-101.
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  32.  2
    Psychologism About Artistic Plans: Reply to Cray. Guyrohrbaugh - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  33.  4
    Gillespie, Michael Boyce. Film Blackness: American Cinema and the Idea of Black Film. Duke University Press, 2016, 248 Pp., 50 B&W Illus., $23.95 Paper. [REVIEW]Kevin Jack Hagopian - 2018 - Journal of Aesthetics and Art Criticism 76 (1):119-123.
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  34.  4
    GUYER, PAUL. A History of Modern Aesthetics, Volume 3: The Twentieth Century. Cambridge University Press, 2014, Vii + 604 Pp., $355.00 Cloth [for 3‐Volume Set]. [REVIEW]Arata Hamawaki - 2018 - Journal of Aesthetics and Art Criticism 76 (1):113-116.
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  35.  5
    BOGOST, IAN. Play Anything: The Pleasure of Limits, the Uses of Boredom, and the Secret of Games. New York: Basic Books, 2016, Xiv + 267 Pp., $26.99 Cloth. [REVIEW]Casey Haskins - 2018 - Journal of Aesthetics and Art Criticism 76 (1):123-126.
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  36.  1
    Revisiting Arnheim and Gombrich in Social Scientific Perspective. Ianverstegen - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  37.  1
    Gillespie, Michael Boyce. Film Blackness: American Cinema and the Idea of Black Film. Duke University Press, 2016, 248 Pp., 50 B&W Illus., $23.95 Paper. [REVIEW]Kevin Jackhagopian - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  38.  3
    Excess in Art: The Case of Oversinging. Jeanettebicknell - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  39.  1
    BANWELL, JULIA. Teresa Margolles and the Aesthetics of Death. University of Wales Press, 2015, 240 Pp., 8 Color + 39 B&W Illus., $160.00 Cloth. [REVIEW] Jessicaadkins - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  40.  4
    COOPER, ANDREW. The Tragedy of Philosophy: Kant's Critique of Judgment and the Project of Aesthetics. State University of New York Press, 2016, Xvi + 298 Pp., $90.00 Cloth. [REVIEW]David Johnson - 2018 - Journal of Aesthetics and Art Criticism 76 (1):131-134.
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  41.  1
    BICKNELL, JEANETTE. Philosophy of Song and Singing: An Introduction. New York: Routledge, 2015, Xii + 127 Pages, $49.95 Paper. [REVIEW] Justinlondon - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  42.  7
    Aesthetics Makes Nothing Happen? The Role of Aesthetic Properties in the Constitution of Non‐Aesthetic Value.María José Alcaraz León - 2018 - Journal of Aesthetics and Art Criticism 76 (1):21-31.
    The relationship between aesthetic value and other moral and cognitive values has been a key theme within contemporary aesthetic discussion. In this article, I explore once again the implications of this relationship, but from what I think might be a different angle. With few exceptions, notably Dominic Lopes, most of the contributions to this issue have dealt with the impact that moral or cognitive values could possibly have on the overall aesthetic value of a work of art. In this article, (...)
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  43.  2
    Aesthetics Makes Nothing Happen? The Role of Aesthetic Properties in the Constitution of Non‐Aesthetic Value.María Joséalcaraz León - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  44.  9
    The Property Theory of Musical Works.Philip Letts - 2018 - Journal of Aesthetics and Art Criticism 76 (1):57-69.
    The property theory of musical works says that each musical work is a property that is instantiated by its occurrences, that is, the work's performances and playings. The property theory provides ontological explanations very similar to those given by its popular cousin, the type/token theory of musical works, but it is both simpler and stronger. However, type/token theorists often dismiss the property theory. In this essay, I formulate a version of the property theory that identifies each type with a unique (...)
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  45.  2
    BICKNELL, JEANETTE. Philosophy of Song and Singing: An Introduction. New York: Routledge, 2015, Xii + 127 Pages, $49.95 Paper. [REVIEW]Justin London - 2018 - Journal of Aesthetics and Art Criticism 76 (1):137-140.
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  46.  2
    Artistic Integrity.Claudia Mills - 2018 - Journal of Aesthetics and Art Criticism 76 (1):9-20.
    This article explores the philosophically neglected topic of artistic integrity, situated within the literature on personal or moral integrity more generally. It argues that artists lack artistic integrity if, in the process of creation, they place some other—competing, distracting, or corrupting—value over the value of the artwork itself, in a way that violates their own artistic standards. It also argues, however, that artistic integrity does not require adamant refusal to acknowledge or act upon commitments to values other than single-minded devotion (...)
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  47.  1
    Hogan, Patrick Colm. Beauty and Sublimity: A Cognitive Aesthetics of Literature and the Arts. Cambridge University Press, 2016, IX + 286 Pp., $110.00 Cloth. [REVIEW] Nickcurry - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  48.  4
    The Property Theory of Musical Works. Philipletts - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  49.  2
    Psychologism About Artistic Plans: Reply to Cray.Guy Rohrbaugh - 2018 - Journal of Aesthetics and Art Criticism 76 (1):105-107.
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  50.  11
    Assessing Socially Engaged Art.Vid Simoniti - 2018 - Journal of Aesthetics and Art Criticism 76 (1):71-82.
    The last twenty-five years have seen a radical shift in the work of politically committed artists. No longer content to merely represent social reality, a new generation of artists has sought to change it, blending art with activism, social regeneration projects, and even violent political action. I assess how this form of contemporary art should lead us to rethink theories of artistic value and argue that these works make a convincing case for an often-dismissed position, namely, the pragmatic view of (...)
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  51.  5
    Zeimbekis, John, and Athanassios Raftopoulos, Eds. The Cognitive Penetrability of Perception: New Philosophical Perspectives. Oxford University Press, 2015, 376 Pp., 14 B&W Illus., $99.00 Cloth. [REVIEW]Sue Spaid - 2018 - Journal of Aesthetics and Art Criticism 76 (1):134-137.
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  52.  3
    A Recalcitrant Problem for Abstract Creationism. Stuartbrock - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  53.  1
    Zeimbekis, John, and Athanassios Raftopoulos, Eds. The Cognitive Penetrability of Perception: New Philosophical Perspectives. Oxford University Press, 2015, 376 Pp., 14 B&W Illus., $99.00 Cloth. [REVIEW] Suespaid - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  54.  6
    Revisiting Arnheim and Gombrich in Social Scientific Perspective.Ian Verstegen - 2018 - Journal of Aesthetics and Art Criticism 76 (1):45-55.
    This article revisits an earlier social scientific analysis of the thought of Rudolf Arnheim and E. H. Gombrich. Adding to the earlier analysis in terms of social ontology and historical development is an analysis of the sufficiency of perception to yield information about the world, both in ordinary and in artistic contexts. Gombrich held to an idea of perception as hypothesis testing, and it joins with Popper's philosophy in the deferred warrant of the perceptual image. Arnheim, instead, followed the Gestalt (...)
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  55.  1
    Assessing Socially Engaged Art. Vidsimoniti - 2018 - Journal of Aesthetics and Art Criticism 76 (1).
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  56.  5
    Is There a Methodological Divide Between Analytic and Continental Philosophy of Music? Response to Roholt.Andreas Vrahimis - 2018 - Journal of Aesthetics and Art Criticism 76 (1):108-111.
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  57.  9
    The Japanese Tea Ceremony and Pancultural Definitions of Art.Daniel Wilson - 2018 - Journal of Aesthetics and Art Criticism 76 (1):33-44.
    Dominic McIver Lopes and Yuriko Saito claim that the Japanese tea ceremony, or chadō, is a non-Western art form. Stephen Davies also defends that claim. In this article, I utilize the tea ceremony as a test case for pancultural definitions of art that claim to be inclusive of non-Western cultures without relying on Western ethnocentrism to justify their status as artworks. I argue that Davies's hybrid definition is not justified in assuming a homogenous art tradition and/or a unified conception of (...)
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