This paper clarifies the phenomenon Edmund Husserl referred to as “solitary speech,” defending his account against the deconstructionist claim that it serves as a mere prop for his transcendental project. To do this, first, I examine how this idea has been misunderstood by Jacques Derrida in Speech and Phenomena. Second, I present Husserl's account of solitary speech as a strictly phenomenological-psychological analysis of a concrete unit of psychic experience, drawing on Husserl's broader view on the relationship between psychology and phenomenology. (...) Third, I compare Husserl's account to Lev Vygotsky's empirical psychological account of “inner speech” to demonstrate their affinity, and to re-establish the misunderstood theme of solitary speech as a concrete linguistic and cognitive phenomenon. This not only corrects the deconstructionist bias but sets a proper approach to the phenomenon of solitary speech, which can contribute to a broader account of the linguistic and cultural formation of human consciousness. (shrink)

Ostensibly, Husserl’s work doesn’t seem to allow for a conceptualization of a properly collective memory, i.e. a shared memory, common to all members of a somewhat tightly unified group. Indeed, Husserl’s view of a collective, at least the one most often presented in his works, appears to be one of a collective equivalent either to an “anyone and everyone” or to an aggregate sum of parts, to a loosely unified composite. All memory of members of such a collective would itself (...) be adjusted accordingly. However, Husserl also develops an idea of a collective, the “personality of a higher order” – as well as an idea of correlative social acts – which might present good candidates for authentic collectives and collective acts, including memories. This paper will attempt to clarify the constitution of said collectives and acts based on the model of Husserlian generativity understood stricto sensu and “from within”. (shrink)

In this essay, I argue that describing collective memory as a historical collective experience involving the sedimentation of experiences can help us understand the complexities in empirical cases. To demonstrate the explanatory power of this approach, I discuss actual cases of collective memory in post-Soviet European societies and communities, mainly in Estonia and among Ingrian Finns, using the concepts of collective experience and sedimentation. By combining these two concepts, I suggest that the same historical and contemporary political objects may appear (...) very differently to different societies and communities. Therefore, to understand the social and political landscape of our continent, we need to understand the unique experiential nature of collective memory. While phenomenology has allegedly had difficulties in addressing collective memory, rather focusing on individual memory and time consciousness, my analysis demonstrates its potential to clarify the experiential patterns of collective memory and its relevance to historical and political studies. (shrink)

The goals of this paper is to offer a phenomenological analysis of the phenomenon of horror and argue that horror displays an organization of experience that cannot be traced back to the activity of the constituting subject. The main claim is that the essential feature of horror consists of its unintelligibility, which is neither reducible to the psychoanalytical repression nor to the complete breakdown of intelligibility but should be rather conceived as counter-intelligibility: horror occurs when anomalies and irregularities that are (...) normally seen as disrupting the phenomenal field and undermining everyday intelligibility turn into positive principles of a new organization of experience. The confusion and perversion of horror consist of transforming the negativities and counter-forces of the cultural phenomenal field into a positive way of being. Horror is an optimal way of bringing non-optimality and disarray, which is characterized by self-exclusion from the cultural domain of intelligibility. (shrink)

Contrary to many contemporary readings of Plato and Aristotle, Hans-Georg Gadamer sees harmony in their thought. A challenge to this reading is that Aristotle criticizes Plato’s forms and the good. Aware of these criticisms, Gadamer understands these two thinkers as having significant commonalities and pursuing related goals. Gadamer’s interpretation is less a historical approach than an attempt to explain and justify aspects of his own philosophical views, in particular those regarding the relation between metaphysics and practical thought. We critically examine (...) Gadamer’s interpretation and consider tensions between its more radical conclusions and a more conventional Platonism. (shrink)

This essay explores the possibility of a metaphysical concept of continuity, which seems to have an implicit though decisive presence in Deleuze’s thought. It exposes a peculiar continuity that animates the indiscernibility of borders without making its constitutive elements homogenous or convergent, a zone of indiscernibility, wherein the borders vanish between the virtual and actual, expressed and expression, incorporeals and corporeals, sense in the proposition and event in states of affairs. Continuity conditions a fundamental indiscernibility but a heterogeneous one, a (...) disjunctive synthesis that does not compromise or negotiate the heterogeneity of its terms. This divergent continuity is explored in Logic of Sense, through a dialogue with Leibniz’s syncategorematic account of calculus and Dedekind cut. (shrink)

This essay explores the possibility of a metaphysical concept of continuity, which seems to have an implicit though decisive presence in Deleuze’s thought. It exposes a peculiar continuity that animates the indiscernibility of borders without making its constitutive elements homogenous or convergent, a zone of indiscernibility, wherein the borders vanish between the virtual and actual, expressed and expression, incorporeals and corporeals, sense in the proposition and event in states of affairs. Continuity conditions a fundamental indiscernibility but a heterogeneous one, a (...) disjunctive synthesis that does not compromise or negotiate the heterogeneity of its terms. This divergent continuity is explored in Logic of Sense, through a dialogue with Leibniz’s syncategorematic account of calculus and Dedekind cut. (shrink)

Contrary to many contemporary readings of Plato and Aristotle, Hans-Georg Gadamer sees harmony in their thought. A challenge to this reading is that Aristotle criticizes Plato’s forms and the good. Aware of these criticisms, Gadamer understands these two thinkers as having significant commonalities and pursuing related goals. Gadamer’s interpretation is less a historical approach than an attempt to explain and justify aspects of his own philosophical views, in particular those regarding the relation between metaphysics and practical thought. We critically examine (...) Gadamer’s interpretation and consider tensions between its more radical conclusions and a more conventional Platonism. (shrink)

The paper answers the title question via its methodological commitment to a Husserlian description of the acts of consciousness which we cannot but perform when we engage in linguistic communication. Familiarizing the reader with the central terms of the German Vorstellung and Vorstellbarkeit (imaginability) and their prominence in phenomenological inquiry in the Introduction, the paper addresses major uses of Vorstellung from Kant to Husserl, before identifying imaginability as the hidden core of natural language, captured in a re-definition of language and (...) linguistic meaning. The observation that imaginability affects all linguistic aspects from phonology to pragmatics is followed by the claim that it is primarily a communally shared form of. The last Section offers a speculative, radically gradualist thesis of language evolution in opposition to dominant catastrophe theories, with the conclusion summarising the answer to the title question in terms imaginable, schematized resemblance relations. (shrink)

The paper answers the title question via its methodological commitment to a Husserlian description of the acts of consciousness which we cannot but perform when we engage in linguistic communication. Familiarizing the reader with the central terms of the German Vorstellung and Vorstellbarkeit (imaginability) and their prominence in phenomenological inquiry in the Introduction, the paper addresses major uses of Vorstellung from Kant to Husserl, before identifying imaginability as the hidden core of natural language, captured in a re-definition of language and (...) linguistic meaning. The observation that imaginability affects all linguistic aspects from phonology to pragmatics is followed by the claim that it is primarily a communally shared form of. The last Section offers a speculative, radically gradualist thesis of language evolution in opposition to dominant catastrophe theories, with the conclusion summarising the answer to the title question in terms imaginable, schematized resemblance relations. (shrink)

The aim of this paper is to articulate and analyse the complexity of the concept of work in Hannah Arendt’s philosophy. Work is usually interpreted as antithetical to political action. This claim merits specification: only the instrumental, utilitarian strand of homo faber poses real danger to authentic politics. By contrast, the artistic or cultural mode of homo faber is not only compatible with Arendt’s understanding of politics, but in fact indispensable for any form of political longevity. Enduring political existence is (...) impossible without the constant support of artists, poets, historiographers and monument-builders who reify and memorialize the key meanings of political communities. This claim is substantiated by applying the phenomenological concept of sedimentation and drawing the political implications of this application. However, similarly to Edmund Husserl, Arendt identified a dual, problematic nature of sedimentation that underscores the importance of natality and thinking in artistic practice. (shrink)

When Derrida translated and commented on Husserl’s manuscript The Origin of Geometry in 1962, he gave a central place to what Husserl called the Idea “in the Kantian sense”. This article reflects on the use and function of this Idea in Derrida’s reading of Husserl. It critically interrogates the relationship between the Idea in the Kantian sense and mathematical ideality, as well as the use of this Idea in the interpretation of the Thing (Ding) and the stream of experience (Erlebnisstrom). (...) In the centre of the discussion stands what Derrida calls “pure thinking”, on which he tries to ground the Idea in the Kantian sense. (shrink)

In this paper I will explore a phenomenology of the menstrual cycle, focusing on the cycle’s rhythm as a form of lived temporality. Drawing on the work of Henri Lefebvre and Thomas Fuchs I will outline a key connection between embodiment and rhythmic temporality more generally, before applying this analysis to the rhythm of the menstrual cycle specifically. I will consider the phenomenology of the experience of cycling through the phases of pre-ovulation, ovulation, pre-menstruation and menstruation as a pattern, or (...) specifically an embodied rhythm that constitutes a form of lived temporality. I will consider a way that the subject may potentially be alienated from this rhythm as a result of a dominant cultural narrative of “linear time”. I will argue further that this dissonance between the menstrual body and the contemporary world tends to be compounded by a lack of “menstrual literacy” in education and culture. (shrink)

This paper provides an explanation for Gadamer’s inconsistent ideas of the symbol in his works, arguing that his concept of the symbol has evolved from a less-authentic experience to an authentic experience. In Truth and Method, the symbol is defined as having an instituted meaning and substitution function, and is devalued as a pure appearance of the real, which is less authentic than the artistic presentation that occasions the coming-into-existence events of the real. Later, in “The Relevance of the Beautiful”, (...) Gadamer elevates the symbol to the same status as the work of art, and uses it to defend the work of art’s inexhaustibility and irreplaceability in communicating meanings and revealing truth. Gadamer’s changed concept of the symbol also serves to justify the universality of philosophical hermeneutics in addressing modern art-related issues, particularly those involving the speechlessness, definition, and technological reproductions of art. (shrink)

Volume 55, Issue 3, July 2024, Page 255-272.

The Western philosophic tradition has tended to tie the question of action to that of freedom, with the relationship structured around the free will/determinism opposition. In contrast, I show that in Being and Nothingness, Sartre offers a stringent and radical critique of these approaches. I briefly outline the conceptual parameters of Sartre’s early ontology, before showing that he rejects the free will tradition because of its underlying conception of freedom and insistence that action is reflective and will-based. According to Sartre, (...) consciousness is not a sum of parts, with one aspect (will) guiding the rest. Consciousness is a differentiated whole, divided between reflective and pre-reflective levels. Will is tied to the reflective level of consciousness and so cannot be said to be foundational given that reflectivity depends upon pre-reflectivity. Instead, it is an expressive effect of consciousness’s spontaneous, pre-reflective, projection of itself towards a particular end and value. (shrink)

In this article, I argue that paintings are transformations of the perceptual world, transformations that the world itself elicits but does not determine, thus undercutting the subjective-objective divide in art. First, I describe Maurice Merleau-Ponty’s notion of institution, according to which sense develops only by changing, that is, by being taken up and coherently deformed. Next, I use this notion to argue that paintings develop the perceptual sense of the world by coherently deforming it. In other words, paintings are transformations (...) of the perceptual world that are called for by the world itself. To make my case, I analyze Susan Rothenberg’s painting Three Heads, a work that develops and furthers the perceptual sense of horses only by taking it up and changing it. Finally, I suggest that this view of painting motivates an interactive ontology according to which things are not self-contained but interactive, fundamentally opening onto things beyond themselves. (shrink)

The article analyses the reception of Hume’s moral philosophy in the lectures and manuscripts of Edmund Husserl and in the published lectures of Franz Brentano, on which Husserl originally based his views. I first present the reasons that led Brentano to appreciate Hume’s sentimentalist background in moral philosophy and to criticize Hume’s relativism. I then show how Husserl, following the critique of psychologism in his Logical Investigations, builds on this starting point and attempts to show a possible contradictory nature of (...) Hume’s moral relativism. Finally, I consider whether Hume’s doctrine contains phenomenological insights that Husserl overlooks. (shrink)

Volume 55, Issue 2, April 2024, Page 198-199.

Sean D. Kirkland’s Heidegger and the Destruction of Aristotle: On How to Read the Tradition is a novel contribution to Heidegger scholarship. Kirkland has previously published on Heidegger and Plat...

In this article, I aim to cast light on the genetic analyses of the apperception of the other that the phenomenologist Marc Richir develops in his late masterwork Phénoménologie en esquisses (2000). My reading hypothesis is that these analyses consist in the original contribution that Richir makes to the standard phenomenological account of empathy from within his overall project of a non-standard revision/refoundation of the Husserlian genetic phenomenology. To test this hypothesis, I trace Richir’s reinterpretation of two texts from Husserl’s (...) so-called phenomenology of intersubjectivity (Hua XIII, 10 and 13), in which Husserl interweaves together the questions of the I’s implication in phantasy and of the apprehension of the other’s living body by presentification. As my examination develops, I show that Richir finds in these texts the phenomenological attestation of the nomadic and presubjective phantasia that, on his reading, Husserl had discovered in his earlier 1904–05 lectures on phantasy. (shrink)

In Rita Charon's account of narrative medicine, empathy seems to be an essential element of the clinical relationship. However, empathy has not received much attention, which I believe is problematic. First, I show that not only is there no clear definition of what empathy is, but that this conceptual gap creates ambiguity about its role in the practice of narrative medicine. Second, I argue that certain passages in Charon's work seem to implicitly characterize empathy as a combination of cognitive empathy, (...) affective empathy, and sympathy, and that its inclusion in the practice of narrative medicine can be problematic. Third, following Dan Zahavi, I argue that a phenomenological account of empathy not only seems most compatible with the practices, values, and theoretical framework of narrative medicine, but is also capable of resolving the problems posed by alternative definitions of empathy and the ambiguity about the role of empathy in narrative medicine. (shrink)

This article presents a critical phenomenology of embodiment in radical democratic struggles, focusing on racialized citizens inhabiting and navigating public spaces and on anti-racist protests. It contrasts the notion of the precarious body, central to critical theorists like Judith Butler, with an alternative phenomenological understanding, locating the political significance of the body in spontaneous movement (Arendt) and competence (Merleau-Ponty). Attending to either precariousness or mobile-capable bodies reveals distinct dimensions of radical democratic struggles. While precariousness addresses the unequal distribution of social-material (...) conditions, it tends to overshadow the shared lived experience of freedom among citizens countering inhibitions of free movement, often motivated by their disproportionate exposure to precarious conditions in the first place. From a phenomenological perspective, public action is permitted by capable and mobile bodies. It is argued that public space opens the power of “we-can” bodies by soliciting citizens' movement among others and their engagement in shared projects, according to their bodily capacities. Pluralistic interaction, aiming to maintain or create free spaces of movement, is presented as the political practice of freedom par excellence, exemplified by radical democratic walking practices in the Black civil rights movement. (shrink)

Following the murder of George Floyd, the Black Lives Matter-movement (BLM) took to the streets to protest against institutional racism. In these protests, one could often hear the slogan “No Justice, No Peace”. Drawing on legal theory, speech act theory and phenomenology, this article investigates what kind of justice and peace are called upon and how the slogan functions as a claim addressed to the legal order. First, the article shows that the rule of law provides a comprehensive normative framework (...) to evaluate what went wrong during the arrest of George Floyd. Second, the article maintains that the slogan should be understood as a passionate utterance in the sense of Stanley Cavell. Finally, drawing on a responsive phenomenology of legal order inspired by the work of Bernhard Waldenfels, the article concludes that the slogan is an extraordinary claim questioning the legal order, showing its contingent origins. (shrink)

In this paper, I discuss three objections against climate activism often voiced in the public, namely that their practices of civil disobedience are ultimately insincere, illegal, and ineffective. The main part of my paper focuses on this last point. This is because this objection points us to a deeper conceptual problem of political protest: if one of the conditions for the success of civil disobedience is that political demands must have been first voiced via democratic channels of opinion-formation, then why (...) should we assume that a re-articulation of these demands in the course of civil disobedience leads to a different result? To answer this question, I propose a phenomenological approach to civil disobedience. Drawing on the protest practices of activist group Act Up, I argue that climate activism can escape the charge of ineffectiveness if it resorts to what I call the “aesthetic rationality of phenomenological demonstration.”. (shrink)

NOTE FROM THE EDITORS OF THE JBSP Questions about the relations between environmental crises, health and injustices have become increasingly important to phenomenological inquiry in recent years. T...