This paper investigates the meaning of the smile and how various kinds of disruptions motivate its thematization. In so doing, it broaches experiences in the recent pandemic, as the masked face disrupts the givenness of the smile. Indeed, the paper claims that such a situation affords the possibility of becoming even more attentive to the conditions of meaningfulness at a global scale. It evidences such a claim by first tracing some essential points of the meaning of meaning via the analysis (...) of intentionality in the work of Edmund Husserl and Bernard Lonergan; then, it reviews the classic treatment of the smile’s meaning by Frederick Buytendijk, along with Lonergan’s further clarification of how an pre-thematic or elemental relation between persons conditions the phenomena; it concludes by suggesting how various sorts of disruption might motivate the smile’s thematization, especially in phenomenology’s inquiry back to the elemental dimension of meaning. (shrink)

There is no given self. Selves are constructed. What have you done – asks Katrina Mitcheson – to self-construct yourself? The provocative opening of Visual Art and Self-Construction throws us into...

In this paper, I aim to show the importance of transferring metaphors from our aesthetic experiences to social praxis. I will therefore focus on reverberation, a phenomenon in the perceptual field of sound, to argue that it offers a deep understanding of social experiences. Reverberation is a secondary concept in Paul Ricœur's hermeneutic phenomenology, but it plays a crucial role in his analysis of imagination. Firstly, I will examine Ricœur's analysis of the phenomenon of reverberation within the framework of his (...) phenomenology of imagination. Secondly, I will read Ricœur's reference to G. Bachelard, considering the reverberation in the poetic image. Thirdly, I will study his reference to E. Minkowski, who thinks about reverberation within a cosmological scope. Finally, based on these analyses, I will outline the transfer of the phenomenon of reverberation to the field of social praxis. (shrink)

The author’s stated goal in this well-researched, carefully argued, and illuminating book is to investigate the phenomenology of grief by addressing several key questions: “what do experiences of g...

The author’s stated goal in this well-researched, carefully argued, and illuminating book is to investigate the phenomenology of grief by addressing several key questions: “what do experiences of g...

Canguilhem’s take on the normal and the pathological offers an interesting insight to elaborate on a phenomenological account of illness and the medical encounter within the scope of Heidegger’s Daseinanalysis from Being and Time. Fredrik Svenaeus has drawn from the latter a definition of illness as an “unhomelike being in the world”. In this paper, I will elaborate on these concepts through the tale of Adriana, a cancer fighter that got diagnosed at age 26. Through her story, I will try (...) to illustrate Canguilhem’s main criticism against medicine's current state, as well as describe phenomenologically what it means to be ill, and what illness does to the patient's being-in-the-world. (shrink)

Evaluating Husserl's phenomenology “iuxta propria principia” (p. 4), this seems to be the guiding principle that motivates Daniele De Santis's text. A rather diffuse tendency in the circle of pheno...

In this paper I examine the relationship between promise and gesture, in order to understand how they co-participate in the configuration of our life-histories. I start by noticing the role played by promise in establishing a dialogical pact of trust, through which an experiential cohesion is maintained through time. Reflecting on the variable conditions of mutual trust, I focus on crisis-situations when we cannot keep the promises we make to others and to ourselves. Relying on the thesis of an “original (...) forgiveness”, I argue that our promises operate beyond the initial intention that animates them and even beyond their failure. I then show that failed promises reveal a broader state of self-fragmentation, engaging the other as a mediator between segments of experience that remain otherwise difficult to bring together and to reconcile by oneself. I close by highlighting the role played by gestures in cultivating this mediation. (shrink)

In this article, I offer a critical phenomenological investigation of immigrant indebtedness, with special focus on its temporality. I understand immigrant indebtedness as a relation of debt where what is owed is gratitude, and which takes on a special meaning when the debtor in question is racially construed as immigrant. Understood as such, immigrant indebtedness has the power to function as a social structure that organizes, conditions and impacts people’s lives. By analysing writer and poet Sumaya Jirde Ali's descriptions of (...) immigrant indebtedness in dialogue with Marianne Gullestad, Alia Al-Saji and Maurizio Lazzarato, I argue that the harm of immigrant indebtedness becomes visible once we pay attention to its temporal structure—involving the permanence of the debt-relation, the freezing and distortion of the past, as well as their limiting effects on future and present. (shrink)

This article analyses Sartre's conflicting interpretations of human relationality in Critique of Dialectical Reason and Hope Now in order to demostrate two things. First, that the social dynamics leading to the formation of what Sartre calls “fused groups” and “fraternity-terror” are still at play in current manifestations of exclusionary and antagonistic conceptions of identity politics, which we contend constitute a risk for contemporary democracy. Second, that an alternative conception of “fraternity-without-terror”, whose foundations can be found in Sartre's latest reflections upon (...) the possibility of a normative ethics of reciprocity, can pave the ground to a fairer model of political solidarity. (shrink)

The goal of this paper is to put on the map Husserl's discussion of “secondary experience” as an alternative basis for an epistemology of testimony. In current discussions about social epistemology, the majority of scholars characterize testimony as “the transfer of a belief.” On the contrary, in light of Husserl's notion of “secondary experience,” testimony is best characterized as a sharing of experience rather than a transfer of belief. Husserl discusses the notion of “secondary experience” in Appendix XII of Husserliana (...) 15. In this paper I develop a systematic analysis of “secondary experience,” and I integrate Husserl's analysis of testimony in Appendix XII with his other analyses developed in the Cartesian Meditations, manuscripts written in the same period, and Experience and Judgment. In the conclusion of the paper I very briefly argue for the superiority of Husserl's view of testimony over the majority view. (shrink)

This paper argues that Husserl’s personalist ethics provides a new way to understand the meaning of the full concretion of the transcendental ego in his mature phenomenology. Husserl’s late ethics introduces, at the core of his thinking, a notion of contingency that he associates with irrationality and facticity. This central aspect of human life, namely that contingency traverses it through and through and which ethics makes painfully visible, is usually obscured by the phenomenological attitude, insofar as the phenomenological reduction brackets (...) all matters of fact. Yet the concrete is not the same as the factual, for Husserl. This paper shows that, when fully concretely understood, the transcendental ego is a person who is correlated to a practical world, whose life as a whole has a personal style, and who struggles against what Husserl calls the contingency of destiny. (shrink)

In this paper, I suggest an ethical reading of Husserl’s theory of primordial reduction, which has been criticized for excluding the other from the outset and not doing justice to genuine alterity. I propose to interpret primordial reduction as a “putting into question” not only the intentional relatedness with the other but also transcendental ego’s activity that confers meaning upon the other, so as to understand the other’s primordial givenness that precedes egoic act. I argue that this reading can reveal (...) two correlated issues: first, primordial reduction essentially alters the transcendental sphere by decentralizing the transcendental ego; second, primordial reduction is radical only to the extent that it is existentially motivated by a transcendental other. I suggest that Husserl’s theory of primordial reduction implicitly comprises of an ethical aspect that is of fundamental affinity with Levinas’s methodic operation in Totality and Infinity. (shrink)

The paper attempts to provide an answer to the question of the semantic compulsion exerted by language on its speakers. It does so via an analysis of Husserl’s extended meaning chain and his comments in his Nachlass on language as Zumutung (imposition). The central thrust of the paper is the question of how the linguistic linkage compulsion (LLC) affects the components of Husserl’s language meaning paradigm, consisting of Bedeutungsintention (meaning intention), the minimal sense of Bedeutung, and Sinn as saturating meaning (...) fulfilment. As to its methodological commitment, the paper employs a Husserlian description of the intentional acts of active and passive syntheses which we cannot but perform when we engage in natural language as communication. The paper concludes with a review of its findings from the perspective of Husserl’s key concept of intentionality. (shrink)

Drawing on Merleau-Ponty, I contend that emotions should be regarded as emerging from our “vital communication” with the solicitations of our physical and social surroundings. My intention is to present emotions as unitary phenomena arising from an incessant flow of motivations that can be later articulated in terms of reasons (in cognitive theories of emotions) or in terms of causes (in affective neuroscience). I further suggest that emotions should be considered a specific kind of conducts, since the way in which (...) a person acts out her emotions shapes their content, regulates their intensity and transforms the amorphous flow of felt motivations into a recognizable emotional stance for which she is held accountable. In conclusion, I put forward a series of arguments explaining why emotion tends toward its expression in conduct as if towards its completion. (shrink)

In this paper, I explicate twentieth-century French philosopher, Gilles Deleuze’s paper, “What is the Creative Act?” as a response to the “crisis of creativity” in the Age of Information. I contend that for him, the creative act does not consist of circulating information, but of eliciting the experience of “defamiliarization”. This thesis will be developed over the course of five sections: first, on Deleuze’s lecture, “What is the Creative Act?”, second on the “act of communication”, third and fourth on, respectively, (...) “space–time(s)” and the “Idea”, and fifth, on a synthesis of the paper’s overall account of the creative act, along with a discussion of its role in transcendental empiricism. I draw from “What is the Creative Act?”, texts from throughout Deleuze’s oeuvre as well as the secondary literature. This paper aims to contribute to ongoing discussions in Deleuze Studies and the Philosophy of Creativity. (shrink)

The complexities of Heidegger’s early accounts of nature provide a privileged perspective from which to understand the evolution of his thought into the 1930s and beyond. This movement seems largely driven by his response to what Karsten Harries has called “the antinomy of being”. In Heidegger’s early writings, Natur is associated with the “theoretical” and the “intraworldly.” However, less attested is an “unworlded” and thus intrinsically “incomprehensible” sense of nature, as the abyssal ground of worlding. This thread is traced through (...) key Marburg period texts, into Being and Time, and beyond it into the 1928 “metontology” appendix and its surprising transformation in the 1929 inaugural lecture. Finally, some cursory observations are made about how this trajectory unfolds in later Heideggerian thought, taking the 1936 Artwork essay as an example, showing how both sides of the antinomy of being come to be incorporated within a more comprehensive framing of the Seinsfrage. (shrink)