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  1.  3
    An Aesthetics of the Metainterface.Alex Fleck - 2020 - Nordic Journal of Aesthetics 29 (59):119-124.
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  2. Winckelmann’s Apollo and the Physiognomy of Race.Lasse Hodne - 2020 - Nordic Journal of Aesthetics 29 (59):6-35.
    The taste for classical art that induced museums in the West to acquire masterpieces from ancient Greece and Rome for their collections was stimulated largely by the writings of Johann Joachim Winckelmann. In the past decade, a number of articles have claimed that Winckelmann’s glorification of marble statues representing the white, male body promotes notions of white supremacy. The present article challenges this view by examining theories prevalent in the eighteenth century that affected Winckelmann’s views on race. Through an examination (...)
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  3.  1
    Note on Contributors.Jacob Lund - 2020 - Nordic Journal of Aesthetics 29 (59):133-134.
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  4.  1
    Introduction.Jacob Lund - 2020 - Nordic Journal of Aesthetics 29 (59):4-5.
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  5.  5
    Digital Music Use as Ecological Thinking: Metadata and Historicised Listening.Andreas Helles Pedersen - 2020 - Nordic Journal of Aesthetics 29 (59):97-118.
    In claiming that metadata possess the power to put historical awareness into the act of listening, this article examines digital music use as an aesthetic situation driven by potentialities of becoming. Working from a theoretical foundation amalgamating digital music archives and metadata as environments the article discusses Georgina Born’s notion of musical assemblages alongside the concept of virtuality, and by letting these meet the article argues for a musical assemblage built from sensibilities of becoming rather than layers of mediation. The (...)
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  6.  1
    Explorations of the Landscape.Zoltán Somhegyi - 2020 - Nordic Journal of Aesthetics 29 (59):129-132.
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  7.  2
    What is ‘Digital Dynamics’?Jan Løhmann Stephensen - 2020 - Nordic Journal of Aesthetics 29 (59):125-128.
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  8.  2
    The Vertical City: Approaches to the Skyscraper City as Phenomenological Space and Semantic Field.Anders Troelsen - 2020 - Nordic Journal of Aesthetics 29 (59):79-96.
    The article is a kind of “project essay” or “brain storm” concerning skyscraper cities. It proposes different approaches for the study of this subject. Starting with the observation that in Danish traditional houses are lying, whereas skyscrapers are “standing”, different phenomenological and discursive perspectives for the study are sketched. The article also suggests that the analysis of contemporary skyscraper cities can shed new light on more traditional cities in the same way as new media illuminate the characterics of old media.
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  9.  4
    Monolith in a Hollow: Paleofuturism and Earth Art in Stanley Kubrick’s 2001: A Space Odyssey.Jacob Wamberg - 2020 - Nordic Journal of Aesthetics 29 (59):36-78.
    This article analyses 2001 in terms of what I term paleofuturism. Fusing deep future and deep past, this cyclical figure reconciles rational machinic intelligence with diverse repressed temporal layers: archaic cultures, the embryonic state of individuals, and bygone biological and geological eras. In 2001, paleofuturism is nourished by Nietzsche’s Übermensch of the future, reborn as a child, and by Jungian ideas of individuation, the reconciliation with the shadow of the collective unconscious that leads to the black cosmos itself. Further paleofuturist (...)
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