Abstract

The patterns within the novel " cymorg", represent a diversity of overlapping styles and fromats, resulting in a unique pattern. It came into evidence through the journey, whose details were narated and fairly described by Mohamed Dib ; basing on some fine backgrounds and perceptions that transcend our thoughts. That is because the cymorg is the manifestation of a " divine truth, which is connected to the world of Ideation". It is a transcendental world that can not be perceived by one's mental knowledge as it is by the spiritual one, Since the narrator did not address the tangible world " tabscended to pass through the gate of self". " In his journey" he wanted it to be a "parallel" that reaches for the truth. A truth that manifested itself in the form of a mythical bird, able to represent a neutral pattern. This later is considered to be the result of a compilation of sensory and mental perceptions and, a group of tangible perceptions, ( it is a metaphorical representation the truth all souls search, and which they aim to reach using a set of previous experiences. This is what Dib tried to experiment in his " Cymorg" ; to be a form of " mysticism sightseeing" instead of the Cartesian meditation. Thus the spiritual pattern is intended to be the dominant one, a fact that draws in the readers mind an imaginary mixture that is based on starting from the idea : " of being the mainfestation of what Dib sought to reach on the tongue of the birds. And the Idea : '' of fading in time and existence". It is a picture made by the Daszine that opposes the "Cymorg bird'' the existence and which projected its shades on what the image of Daszine carries within_a Trace_ That Dib represented by bird flocks seeking the burdens of truth.