Pictures, presence and visibility

Philosophical Studies 173 (1):187-203 (2016)
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Abstract

This paper outlines a ‘perceptual account’ of depiction. It centrally contrasts with experiential accounts of depiction in that seeing something in a picture is understood as a visual experience of something present in the picture, rather than as a visual experience of something absent. The experience of a picture is in this respect akin to a veridical rather than hallucinatory perceptual experience on a perceptual account. Thus, the central selling-point of a perceptual account is that it allows taking at face value the intuitive claim that we see things in pictures. Preserving this claim has a potential cost, however: we need to postulate that some kind of thing, T, is present in the realm of the picture, and it is not straightforward to find a plausible type of entity to play this role. The paper examines three alternative choices of T; T may be a material object, a visual appearance or a universal

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Author's Profile

Solveig Aasen
University of Oslo

Citations of this work

The Neural Dynamics of Seeing-In.Gabriele Ferretti - 2019 - Erkenntnis 84 (6):1285-1324.
Are Pictures Peculiar Objects of Perception?Gabriele Ferretti - 2017 - Journal of the American Philosophical Association 3 (3):372-393.
Twofoldness and Three-Layeredness in Pictorial Representation.Alberto Voltolini - 2018 - Estetika: The European Journal of Aesthetics 55 (1):89-111.

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References found in this work

On the Plurality of Worlds.David K. Lewis - 1986 - Malden, Mass.: Wiley-Blackwell.
Reference and Consciousness.John Campbell - 2002 - Oxford, GB: Oxford University Press.
On the Plurality of Worlds.David Lewis - 1986 - Revue Philosophique de la France Et de l'Etranger 178 (3):388-390.

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