Hypatia 12 (3):164-173 (1997)
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Many feminists have found inspiration in Donna Haraway's myth of the cyborg (1990). From the standpoint of feminist bisexual identity, however, I contend that this myth evades the very issues of race and sexuality which it seems to be addressing. I examine the uses of a bisexual standpoint for a more concrete, situated approach to theorizing sexuality, arguing that reflection on racial identities must be incorporated as well
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DOI | 10.1111/j.1527-2001.1997.tb00010.x |
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References found in this work BETA
This Bridge Called My Back: Writings by Radical Women of Color.Gloria Anzaldúa & Cherríe Moraga - 1981 - Persephone Press.
Citations of this work BETA
Race as Technology: From Posthuman Cyborg to Human Industry.Holly Jones & Nicholaos Jones - 2017 - Ilha Do Desterro 70 (2):39-51.
Decolonial Queer Feminism in Donna Haraway's ‘A Cyborg Manifesto’.Lara Cox - 2018 - Paragraph 41 (3):317-332.
Book Review: Laura Duhan Kaplan. Family Pictures: A Philosopher Explores the Familiar. Chicago: Open Court Press, 1998. [REVIEW]Abby Wilkerson - 1999 - Hypatia 14 (2):124-129.
Book Review: Laura DUHAN Kaplan.Family Pictures: A Philosopher Explores the Familiar. Chicago and la Salle: Open Court, 1998. [REVIEW]Abby Wilkerson - 1999 - Hypatia 14 (2):124-129.
View all 7 citations / Add more citations
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