Proceedings of the Aristotelian Society 115 (1pt1):25-40 (2015)
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| Abstract |
The genre to which an artwork belongs affects how it is to be interpreted and evaluated. An account of genre and of the criteria for genre membership should explain these interpretative and evaluative effects. Contrary to conceptions of genres as categories distinguished by the features of the works that belong to them, I argue that these effects are to be explained by conceiving of genres as categories distinguished by certain of the purposes that the works belonging to them are intended to serve
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| Keywords | genre purpose interpretation evaluation narrative art truth in fiction |
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| DOI | 10.1111/j.1467-9264.2015.00382.x |
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References found in this work BETA
Logic and Conversation.H. Paul Grice - 1975 - In Maite Ezcurdia & Robert J. Stainton (eds.), The Semantics-Pragmatics Boundary in Philosophy. Broadview Press. pp. 47.
View all 7 references / Add more references
Citations of this work BETA
The Ontology of Musical Versions: Introducing the Hypothesis of Nested Types.Nemesio García-Carril Puy - 2019 - Journal of Aesthetics and Art Criticism 77 (3):241-254.
“But Is It Science Fiction?”: Science Fiction and a Theory of Genre.Simon J. Evnine - 2015 - Midwest Studies in Philosophy 39 (1):1-28.
A Definition of Satire.Dieter Declercq - 2018 - Journal of Aesthetics and Art Criticism 76 (3):319-330.
The Aesthetics of Electronic Dance Music, Part I: History, Genre, Scenes, Identity, Blackness.Nick Wiltsher - 2016 - Philosophy Compass 11 (8):415-425.
View all 7 citations / Add more citations
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