Towards a theory of proprioception as a bodily basis for consciousness in music

In David Clarke & Eric F. Clarke (eds.), Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford University Press (2011)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,386

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

The case for proprioception.Ellen Fridland - 2011 - Phenomenology and the Cognitive Sciences 10 (4):521-540.
Self-consciousness and the body.Monica Meijsing - 2000 - Journal of Consciousness Studies 7 (6):34-50.
Self-consciousness in infancy.Louisa Von Schroder - unknown
The bodily self: The sensori-motor roots of pre-reflective self-consciousness. [REVIEW]Dorothée Legrand - 2006 - Phenomenology and the Cognitive Sciences 5 (1):89-118.
Me, Music, and I: Embodied and Enactive Cognition meets Music. Review of “Music and Consciousness”.J. Matyja - 2012 - Constructivist Foundations 8 (1):129-131.
How the body in action shapes the self.Vittorio Gallese & Corrado Sinigaglia - 2011 - Journal of Consciousness Studies 18 (7-8):117-143.
Towards a pragmatist theory of music education.Susan Monica Stevens - unknown
Music, consciousness, and the brain: music as shared experience of an embodied present.Andy McGuiness & Katie Overy - 2011 - In David Clarke & Eric F. Clarke (eds.), Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford University Press. pp. 245.
Music & meaning.Jenefer Robinson (ed.) - 1997 - Ithaca [N.Y.]: Cornell University Press.
Adequate knowledge and bodily complexity in Spinoza’s account of consciousness.Andrea Sangiacomo - 2011 - Methodus 6:77-104.
The role of proprioception in action recognition.C. Farrer, N. Franck, J. Paillard & M. Jeannerod - 2003 - Consciousness and Cognition 12 (4):609-619.
Music theory and natural order from the Renaissance to the early twentieth century.Suzannah Clark & Alexander Rehding (eds.) - 2001 - New York: Cambridge University Press.
Everyday Music Listening: Absorption, Dissociation and Trancing.Ruth Herbert - 2011 - Ashgate Pub. Co..
Formalized music.Iannis Xenakis - 1971 - Bloomington: Indiana University Press.
Perceiving subjectivity in bodily movement: The case of dancers. [REVIEW]Dorothée Legrand & Susanne Ravn - 2009 - Phenomenology and the Cognitive Sciences 8 (3):389-408.

Analytics

Added to PP
2011-11-25

Downloads
36 (#434,037)

6 months
4 (#800,606)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references