Thesis Eleven 103 (1):10-25 (2010)
Abstract |
This article suggests an iconic turn in cultural sociology. Icons can be seen, it is argued, as symbolic condensations that root social meanings in material form, allowing the abstractions of cognition and morality to be subsumed, to be made invisible, by aesthetic shape. Meaning is made iconically visible, in other words, by the beautiful, sublime, ugly, or simply by the mundane materiality of everyday life. But it is via the senses that iconic power is made. This new approach to meaning is compared with others — with materialism, semiotics, aestheticism, moralism, realism, and spiritualism
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DOI | 10.1177/0725513610381369 |
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References found in this work BETA
Reassembling the Social: An Introduction to the Actor-Network Theory.Bruno Latour - 2005 - Oxford University Press.
The Savage Mind.Alasdair MacIntyre & Claude Levi-Strauss - 1967 - Philosophical Quarterly 17 (69):372.
The Rule of Metaphor: Multi-Disciplinary Studies of the Creation of Meaning in Language.Paul Ricoeur, Robert Czerny, Kathleen Mclaughlin & John Costello - 1977 - Philosophy and Rhetoric 13 (3):208-210.
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Citations of this work BETA
Preserving the Unpreservable: Docile and Unruly Objects at MoMA.Fernando Domínguez Rubio - 2014 - Theory and Society 43 (6):617-645.
Aesthetic Revolt and the Remaking of National Identity in Québec, 1960–1969.Geneviève Zubrzycki - 2013 - Theory and Society 42 (5):423-475.
The Artwork Made Me Do It: Introduction to the New Sociology of Art.Eduardo De La Fuente - 2010 - Thesis Eleven 103 (1):3-9.
The Role of Agency in Sociocultural Evolution: Institutional Entrepreneurship as a Force of Structural and Cultural Change.Seth Abrutyn & Justin Van Ness - 2015 - Thesis Eleven 127 (1):52-77.
Materiality of Marble: Explorations in the Artistic Life of Stone.Alison Leitch - 2010 - Thesis Eleven 103 (1):65-77.
View all 7 citations / Add more citations
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