Thesis Eleven 103 (1):10-25 (2010)

This article suggests an iconic turn in cultural sociology. Icons can be seen, it is argued, as symbolic condensations that root social meanings in material form, allowing the abstractions of cognition and morality to be subsumed, to be made invisible, by aesthetic shape. Meaning is made iconically visible, in other words, by the beautiful, sublime, ugly, or simply by the mundane materiality of everyday life. But it is via the senses that iconic power is made. This new approach to meaning is compared with others — with materialism, semiotics, aestheticism, moralism, realism, and spiritualism
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DOI 10.1177/0725513610381369
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References found in this work BETA

The View From Nowhere.Thomas Nagel - 1986 - Behaviorism 15 (1):73-82.
The Savage Mind.Alasdair MacIntyre & Claude Levi-Strauss - 1967 - Philosophical Quarterly 17 (69):372.
Kant and the Claims of Taste.Paul Guyer - 1979 - Cambridge University Press.

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