The Meaning of ‘Other’ in Classifications: Formal Methods Meet Artistic Research

Philosophy and Technology 30 (4):541-545 (2017)
  Copy   BIBTEX

Abstract

This commentary is a reflection on a collaboration with the artist Rossella Biscotti and comments on how artistic research and logico-mathematical methods can be used to contribute to the development of critical perspectives on contemporary data practices.

Similar books and articles

Synesthesia and Artistic Experimentation.Crétien van Campen - 1997 - PSYCHE: An Interdisciplinary Journal of Research On Consciousness 3.
On Methodological Problems in Aesthetics.Johanna Liu - 2000 - Philosophy and Culture 27 (2):124-140.
The Fake: Forgery and its Place in Art.Ervin Dunai (ed.) - 1999 - Rowman & Littlefield Publishers.
The Fake: Forgery and Its Place in Art.Ervin Dunai - 2000 - Philosophical Quarterly 50 (200):425-427.
The Role of Documentation in Practice-Led Research.Nithikul Nimkulrat - 2007 - Journal of Research Practice 3 (1):Article M6.

Analytics

Added to PP
2017-08-12

Downloads
268 (#72,904)

6 months
77 (#56,454)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Patrick Allo
Vrije Universiteit Brussel

Citations of this work

No citations found.

Add more citations

References found in this work

The taming of chance.Ian Hacking - 1990 - New York: Cambridge University Press.
The method of levels of abstraction.Luciano Floridi - 2008 - Minds and Machines 18 (3):303–329.
.Peter Galison & David Stump (eds.) - 1996
Data Shadows: Knowledge, Openness, and Absence.Gail Davies, Brian Rappert & Sabina Leonelli - 2017 - Science, Technology, and Human Values 42 (2):191-202.

View all 6 references / Add more references