Journal of Religious Ethics 37 (1):33-38 (2009)

Thomas Altizer
State University of New York, Stony Brook
It was William Blake's insight that the Christian churches, by inverting the Incarnation and the dialectical vision of Paul, have repressed the body, divided God from creation, substituted judgment for grace, and repudiated imagination, compassion, and the original apocalyptic faith of early Christianity. Blake's prophetic poetry thus contributes to the renewal of Christian ethics by a process of subversion and negation of Christian moral, ecclesiastical, and theological traditions, which are recognized precisely as inversions of Jesus, and therefore as instances of the forms of evil that God-in-Christ overcomes through Incarnation, reversing the Fall. Blake's great epic poems, particularly Milton (1804–08) and Jerusalem (1804–20), embody his heterodox representation of the final coincidence of Christ and Satan through which, at last, all things are made new
Keywords Incarnation  prophecy  Satan  coincidentia oppositorum  William Blake  Milton
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DOI 10.1111/j.1467-9795.2008.00374.x
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The Phenomenology of Spirit.G. W. F. Hegel, H. C. Brockmeyer & W. T. Harris - 1868 - Journal of Speculative Philosophy 2 (3):165 - 171.

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Re‐Embedding Moral Agency.Christopher Steck - 2013 - Journal of Religious Ethics 41 (2):332-353.

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