In M. Clasen J. Carroll (ed.), Evolutionary Perspectives on Imaginative Culture. pp. pp 163-181 (forthcoming)
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Abstract |
Music is a universal human activity. Its evolution and its value as a cognitive resource are starting to come into focus. This chapter endeavors to give readers a clearer sense of the adaptive aspects of music, as well as the underlying cognitive and neural structures. Special attention is given to the important emotional dimensions of music, and an evolutionary argument is made for thinking of music as a prelinguistic embodied form of cognition—a form that is still available to us as contemporary music creators and consumers.
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Keywords | Evolution of music, Embodied cognition, Cultural evolution, Philosophy of music, Affective science, Improvisation, Psychology of music Evolution of music Embodied cognition, Cultural evolution, Philosophy of music, Improvisation, Affective science, |
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References found in this work BETA
Mirror Neurons: From Origin to Function.Richard Cook, Geoffrey Bird, Caroline Catmur, Clare Press & Cecilia Heyes - 2014 - Behavioral and Brain Sciences 37 (2):177-192.
Unconscious Emotion.Piotr Winkielman & Kent C. Berridge - 2004 - Current Directions in Psychological Science 13 (3):120-123.
Music and Dance as a Coalition Signaling System.Edward H. Hagen & Gregory A. Bryant - 2003 - Human Nature 14 (1):21-51.
The Emotional Mind: The Affective Roots of Culture and Cognition.Stephen Asma & Rami Gabriel - 2019 - Harvard University Press.
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