Abstract

This paper begins and ends with the observation that the Pārijātaharaṇa or theft of the magical Pārijāta tree appears to be the only scene from the adult biography of Kṛṣṇa to have enjoyed a popularity comparable to the scenes of his childhood and youth. Inquiring why this might be the case, the article treats the oldest source of the episode, namely the Critical Edition text of the Harivaṃśa, and its elaboration in two Harivaṃśa appendices. Two thematic elements characterize 29 and 29A’s enlargement upon the deed: the amplification of conflict over the tree and the ritual activities of women. While the first of these themes, developed in App. I 29, is a natural, if not predictable augmentation of the Kṛṣṇa narrative, understanding the rationale behind App. I 29A’s concerns with the ritual responsibilities of the pativratā or devoted wife requires a more sustained analysis. I argue here that 29A makes explicit a fundamental dynamic of the divine feminine and its role within the Kṛṣṇa biography which can be found at work in the earlier Critical text of the HV as well. This makes possible a final hypothesis on why the Pārijāta episode may have enjoyed a popularity in the Vaiṣṇava tradition unlike any other scene of Kṛṣṇa’s adult biography.