Tragic Flaws

Journal of the American Philosophical Association 8 (1):20-40 (2022)
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Abstract

In many tragic plays, the protagonist is brought down by a disaster that is a consequence of the protagonist's own error, his or her hamartia, the tragic flaw. Tragic flaws are disconcerting to the audience because they are not known or fully recognized by the protagonist—at least not until it is too late. In this essay, I take tragic flaws to be unreliable belief-forming dispositions that are unrecognized by us in some sense. I describe some different types of flaws and consider what we might do about them. Then I examine three types of policies for managing our tragic flaws: doxastic, dispositional, and methodological.

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Nathan Ballantyne
Arizona State University

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References found in this work

Intellectual Humility: Owning Our Limitations.Dennis Whitcomb, Heather Battaly, Jason Baehr & Daniel Howard-Snyder - 2017 - Philosophy and Phenomenological Research 94 (3):509-539.
Higher Order Evidence.David Christensen - 2010 - Philosophy and Phenomenological Research 81 (1):185-215.
Peer Disagreement and Higher Order Evidence.Thomas Kelly - 2010 - In Richard Feldman & Ted A. Warfield (eds.), Disagreement. Oxford, GB: Oxford University Press.
A (Different) Virtue Epistemology.John Greco - 2012 - Philosophy and Phenomenological Research 85 (1):1-26.

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