Abstract

In a relatively little-known interview, conducted by Thomas Bertonneau, Girard remarks that with Heidegger there is an aspect he "would almost call a worship of the old sacred," something that struck him as "pretty scary … sinister." But, almost in the same breath, Girard continues, "And yet there can be no doubt that Heidegger is a genius."1This doubled attitude to Heidegger, where on the one side the German philosopher is basically a hostile relic of the archaic sacred, and on the other he has contributed something of genius to contemporary thought, has not been sufficiently examined among Girardians. The default position seems to be a dismissal on account of the former and an unwillingness to engage in respect...