John Grifﬁ n’s classic on racism, Black Like Me (1960), provides an interesting text with which to investigate the development of a dialogical self. Grifﬁ n becomes a black man for only a short period of time, but during that time he develops a black social identity and sense of personal identity, that contrasts radically with his former white identity. When he looks into a mirror on several occasions he engages in a dialogue with himself, as both a black and a white person. At ﬁ rst these two identities are so different that there is no “sympathy” between them. But through his experience, he eventually overcomes the dichotomy of two opposing selves, and acquires a personal identity, neither white nor black, but just human. In this article, I trace the development of these dialogical selves and the emergence of this new human identity. Key words: identity, racism, self, black, white..
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