Revista de Filosofía (Madrid) 38 (1):79-97 (2013)

Authors
Matilde Carrasco Barranco
University of Murcia
Abstract
The Abuse of Beauty can be seen as the beginning of a “turn” in the philosophy of art of Arthur Danto, based on the conceptual divorce between art and aesthetics, through which he has vindicated a significant role for the aesthetic in the art of today. However, Danto is still reluctant to make aesthetics part of the definition of art. The paper analyzes some of his most relevant new concepts and examines their implications for that central thesis of his theory of art
Keywords artistic avant-garde  cualidades estéticas  ideas estéticas.  internal beauty  arte de vanguardia  definición del arte  aesthetic qualities  belleza interna  aesthetic ideas.  definition of art
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DOI 10.5209/rev_RESF.2013.v38.n1.41964
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References found in this work BETA

After the End of Art: Contemporary Art and the Pale of History.Marcia Muelder Eaton - 1998 - Journal of Aesthetics and Art Criticism 56 (3):309-311.
After the End of Art: Contemporary Art and the Pale of History.Arthur C. Danto - 2001 - Journal of Aesthetics and Art Criticism 59 (2):214-215.
Embodied Meanings, Isotypes, and Aesthetical Ideas.Arthur C. Danto - 2007 - Journal of Aesthetics and Art Criticism 65 (1):121–129.

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