De la estética de la forma a la estética del significado. Sobre el giro estético de A. Danto

Revista de Filosofía (Madrid) 38 (1):79-97 (2013)

The Abuse of Beauty can be seen as the beginning of a “turn” in the philosophy of art of Arthur Danto, based on the conceptual divorce between art and aesthetics, through which he has vindicated a significant role for the aesthetic in the art of today. However, Danto is still reluctant to make aesthetics part of the definition of art. The paper analyzes some of his most relevant new concepts and examines their implications for that central thesis of his theory of art
Keywords artistic avant-garde  cualidades estéticas  ideas estéticas.  internal beauty  arte de vanguardia  definición del arte  aesthetic qualities  belleza interna  aesthetic ideas.  definition of art
Categories (categorize this paper)
DOI 10.5209/rev_RESF.2013.v38.n1.41964
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Translate to english
Revision history

Download options

Our Archive

Upload a copy of this paper     Check publisher's policy     Papers currently archived: 45,685
Through your library

References found in this work BETA

After the End of Art: Contemporary Art and the Pale of History.Arthur C. Danto - 1998 - Journal of Aesthetics and Art Criticism 56 (3):309-311.
On Late Style: Arthur Danto’s the Abuse of Beauty.Diarmuid Costello - 2004 - British Journal of Aesthetics 44 (4):424-439.
Embodiment, Art History, Theodicy, and The Abuse of Beauty: A Response to My Critics.A. Danto - 2005 - Inquiry: An Interdisciplinary Journal of Philosophy 48 (2):189-200.

Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles


Added to PP index

Total views
9 ( #815,891 of 2,280,843 )

Recent downloads (6 months)
1 ( #840,891 of 2,280,843 )

How can I increase my downloads?


My notes

Sign in to use this feature