Authors
Aida Míguez Barciela
University of Zaragoza
Abstract
An interpretation of the closing of the Iliad is outlined from what according to certain analyses of Hölderlin we can call the “ideal” path characteristic of the figure of Achilles. The rupture of that “ideal” through the “catastrophe” of the poem articulates a return to that “naiv” that at the end of the Iliad is linked with the imperative to assume the pain and to keep the difference between the spheres of the man and of the god, something that we clarify by means of an analysis of the Isthmian VIII of Pindar and the reading of certain fragments of Hölderlin
Keywords Pindar  Change of tones  Achilles  Cambio de tonos  Hölderlin  Aquiles  Épos  Epos  Píndaro
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References found in this work BETA

Geschichte der griechischen Literatur.M. J. McGann & A. Lesky - 1961 - Journal of Hellenic Studies 81:157-158.
Θαλασσα.Albin Lesky - 1943 - Hermes 78 (3):258-269.
Theoretische Schriften.Johann Christian Friedrich Hölderlin & Johann Kreuzer - 1999 - Tijdschrift Voor Filosofie 61 (3):603-604.

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