Hypatia 5 (2):63 - 75 (1990)
| Abstract |
The search for a unified and coherent feminine aesthetic theory could not be successful because it relies upon "universals" which do not exist and assumes simple parallels among psychological, social and aesthetic structures. However, with an apparatus of narrative points of view, one can demonstrate that individual narrative texts are organized from a feminine point of view. To this extent, the intuition that there is a feminine aesthetic can be vindicated.
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| DOI | 10.1111/j.1527-2001.1990.tb00417.x |
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References found in this work BETA
[Book Review] the Science Question in Feminism. [REVIEW]Sandra G. Harding - 1988 - Feminist Studies 14 (1):561-574.
Women and Moral Theory.Eva Feder Kittay, Carol Gilligan, Annette C. Baier, Michael Stocker, Christina H. Sommers, Kathryn Pyne Addelson, Virginia Held, Thomas E. Hill Jr, Seyla Benhabib, George Sher, Marilyn Friedman, Jonathan Adler, Sara Ruddick, Mary Fainsod, David D. Laitin, Lizbeth Hasse & Sandra Harding - 1989 - Rowman & Littlefield Publishers.
Gender Difference and Morality: The Empirical Base.Carol Gilligan - 1987 - In Eva Feder Kittay & Diana T. Meyers (eds.), Women and Moral Theory. Rowman & Littlefield. pp. 19--33.
Truth in Fiction: A Reexamination of Audiences.Peter J. Rabinowitz - 1977 - Critical Inquiry 4 (1):121-141.
Points of View in Narrative and Depictive Representation.Kendall L. Walton - 1976 - Noûs 10 (1):49-61.
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Citations of this work BETA
Criteria in Crisis: Modernist, Postmodernist, and Feminist Critical Practices.Mary Ann Sushinsky - 1999 - Dissertation, University of Massachusetts Amherst
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