Resolving the Paradox of Phenomenology through Kant's Aesthetics: Between Merleau-Ponty and Deleuze

Journal of the British Society for Phenomenology 49 (1):71-86 (2018)
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Abstract

Commentators have claimed that the philosophies of Merleau-Ponty and Deleuze converge upon a spatial field of sensation which is prior to representation. This essay will contest these readings by showing that, for Deleuze, the pre-representational spatial field of intensity is fundamentally split from thought. This “gap” between sensation and thought is, for Deleuze, fundamentally temporal, in that thought is continually open and passive to being violated and transformed by the sensible and the sensible is continually being pushed beyond itself by a certain kind of thought. This violent exchange across the gap between thought and sensibility is found, by Deleuze, in Kant's notion of the aesthetic idea. On the contrary, for Merleau-Ponty, Kant's aesthetics imply a non-conceptual “ground” shared by both thought and sensibility. By contrasting these two readings of Kant's aesthetics, this paper reveals the basic divergence between the philosophies of Deleuze and Merleau-Ponty.

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Joseph Barker
Pennsylvania State University

Citations of this work

Kant-Bibliographie 2018.Margit Ruffing - 2020 - Kant Studien 111 (4):647-702.

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References found in this work

Signs.Maurice Merleau-Ponty - 2018 - Chiasmi International 20:231-231.
Eye and Mind.Maurice Merleau-Ponty - 1964 - In The Primacy of Perception. Evanston, USA: Northwestern University Press. pp. 159-190.
The Visible and the Invisible.B. Falk - 1970 - Philosophical Quarterly 20 (80):278-279.
What Is Philosophy?The Fold: Leibniz and the Baroque.John J. Stuhr - 1996 - Journal of Aesthetics and Art Criticism 54 (2):181-183.

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