Routledge (1991)

Authors
Andrew Benjamin
Monash University
Abstract
Art, Mimesis and the Avant-Garde explores the relationship between art and philosophy. Andrew Benjamin argues for a reworking of the task of philosophy in terms of the centrality of ontology. It is in relation to this centrality, understood through the differences between modes of being, that art, mimesis, and the avant-garde come to be presented. A fundamental part of this book is the original interpretations of important contemporary painters and their themes: Lucian Freud's self-portraits, Francis Bacon 's use of mirrors, R. B. Kitaj and Jewish identity, Anselm Kiefer and iconoclasm. Apart from painting, Benjamin considers architecture, literature, and the philosophical writings of Walter Benjamin and Descartes in elaborating the various aspects of ontological difference. Benjamin develops the theory of the avant-garde as a philosophical category rather than a historical marker, thus bringing the worlds of contemporary art criticism and contemporary philosophy closer together
Keywords Aesthetics  Avant-garde (Aesthetics  Mimesis in art
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Reprint years 2005
Call number BH39.B3845 1991
ISBN(s) 9780415060479   9780203981450   0415066271   0415060478
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The World in Ruins : Heidegger, Poussin, Kiefer.Benjamin Andrew - 2017 - Journal of Aesthetics and Phenomenology 4 (2):101-123.
Europe: Space, Spirit, Style.Thorsten Botz-Bornstein - 2003 - The European Legacy 8 (2):179-187.

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