Critical Horizons 11 (3):379-395 (2010)

Andrew Benjamin
Monash University
Colour plays a fundamental role in the philosophical treatments of painting. Colour while it is an essential part of the work of art cannot be divorced from the account of painting within which it is articulated. This paper begins with a discussion of the role of colour in Schelling's conception of art. Nonetheless its primary concern is to develop a critical encounter with Jean-François Lyotard's analysis of the Dutch painter Karel Appel. The limits of Lyotard's writings on painting, which this paper will attribute in part to Lyotard's ‘empiricism’, becomes most apparent in his treatment of colour
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DOI 10.1558/crit.v11i3.379
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References found in this work BETA

Critique of the Power of Judgment.Immanuel Kant - 2000 - Cambridge University Press.
Remarks on Colour.Ludwig Wittgenstein - 2014 - Beytulhikme An International Journal of Philosophy 4 (1):115.
Remarks on Colour.Ludwig Wittgenstein - 1977 - University of California Press.
Transfigurements: On the True Sense of Art.John Sallis - 2008 - University of Chicago Press.

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Lesson of Darkness: Phenomenology and Lyotard’s Late Aesthetics.Ashley Woodward - 2019 - Journal of the British Society for Phenomenology 50 (2):104-119.

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