- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Analytic Philosophy of Film: History, Issues, Prospects
Philosophical Books 38 (3):145-156 (1997)
Abstract
This article has no associated abstract. (fix it)Author's Profile
Other Versions
| original | Gaut, B. (1997) "Recent Work in Film Theory". Philosophical Books 38():145-156 |
My notes
Similar books and articles
A Philosophy of Cinematic Art – Berys Gaut.Katherine Thomson-Jones - 2011 - Philosophical Quarterly 61 (243):445-446.
Review of Berys Gaut, A Philosophy of Cinematic Art. [REVIEW]Carl Plantinga - 2010 - Notre Dame Philosophical Reviews 2010 (7).
Review of Berys Gaut, Art, Emotion and Ethics. [REVIEW]Daniel Jacobson - 2008 - Notre Dame Philosophical Reviews 2008 (3).
Berys Gaut and Paisley Livingston, eds., The Creation of Art: New Essays in Philosophical Aesthetics Reviewed by.James O. Young - 2004 - Philosophy in Review 24 (2):107-109.
Berys Gaut & Matthew Kieran, , "Creativity and Philosophy." Reviewed by.Amy Kind - 2019 - Philosophy in Review 39 (3):129-131.
Berys Gaut , A Philosophy of Cinematic Art . Reviewed by.Kathryn Brown - 2012 - Philosophy in Review 32 (5):381-383.
A Philosophy of Cinematic Art by gaut, berys.Jinhee Choi - 2011 - Journal of Aesthetics and Art Criticism 69 (2):235-237.
Analytics
Added to PP
2010-08-10
Downloads
77 (#232,071)
6 months
7 (#540,927)
2010-08-10
Downloads
77 (#232,071)
6 months
7 (#540,927)
Historical graph of downloads
Author's Profile
Citations of this work
Umbrales de transparencia en la imagen producida por artefactos de registro mecánico de la realidad.Alberto Murcia Carbonell - 2016 - Daimon: Revista Internacional de Filosofía 69:39-54.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-6f97f49787-kd5kv uwo