Escritos 30 (64):136-148 (2022)

Abstract
Undoubtedly, the film Hedwig and the Angry Inch establishes a dialogue with the thesis of love exposed by Diotima of Mantinea in Plato's Banquet, in the sense of understanding love as a solitary adventure and primarily individual expansion. However, more than transferring the ideas of the Greek philosopher, the film opens a discussion about its validity and topicality in specific situations such as identity, ideology and gender. This is why anagnorisis becomes anamnesis in the film; dialectics is an agon, and identity, a becoming.
Keywords Anagnórisis  Concepto platónico del amor  Devenir  Dialéctica  Diotima de Mantinea  Hedwig and the Angry Inch  Identidad  John Cameron Mitchell
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DOI 10.18566/escr.v30n64.a08
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