Hearing and Seeing Musical Expression

Philosophy and Phenomenological Research 78 (1):1-16 (2009)
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Abstract

Everybody assumes (1) that musical performances are sonic events and (2) that their expressive properties are sonic properties. This paper discusses recent findings in the psychology of music perception that show that visual information combines with auditory information in the perception of musical expression. The findings show at the very least that arguments are needed for (1) and (2). If music expresses what we think it does, then its expressive properties may be visual as well as sonic; and if its expressive properties are purely sonic, then music expresses less than we think it does. And if the expressive properties of music are visual as well as sonic, then music is not what we think it is—it is not purely sonic.

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Author Profiles

Dominic McIver Lopes
University of British Columbia
Vincent Bergeron
University of Ottawa

Citations of this work

Crossmodal Basing.Zoe Jenkin - forthcoming - Mind.
Perception and Its Modalities.Dustin Stokes, Mohan Matthen & Stephen Biggs (eds.) - 2014 - New York, NY: Oxford University Press.
Kant’s “I think” and the agential approach to self-knowledge.Houston Smit - 2019 - Canadian Journal of Philosophy 49 (7):980-1011.
Kant and the transparency of the mind.Alexandra M. Newton - 2019 - Canadian Journal of Philosophy 49 (7):890-915.

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