Abstract
The essay focuses on Jeff Wall’s theoretical writings and artistic productions. The inquiry on the photograph’s medium has been re-enacted in the late 1970s and 1980s by the use of the large scale and the “tableau-form”; in Wall’s work the large scale of the images, coupled with the light box, stimulates at the same time a new relationship with the beholder’s gaze and the possibility of a historical dialogue with other media, like painting and cinema. By the analysis of photographs like Mimic and A view from an Apartment the interplay between document and fiction, capture of everyday and mise en scène appears at the core of Wall’s research and a main subject in contemporary photography.
Keywords Everyday  Jeff Wall  Medium  Photography
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DOI 10.13128/aisthesis-23869
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References found in this work BETA

Vermischte Bemerkungen.P. Long, Ludwig Wittgenstein, G. H. von Wright & H. Nyman - 1979 - Philosophical Quarterly 29 (114):81.
Absorption and Theatricality: Painting and Beholder in the Age of Diderot.Michael Fried - 1980 - Journal of Aesthetics and Art Criticism 47 (2):200.

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Tableaux vivants. Da Diderot a Jeff Wall.Maddalena Mazzocut-Mis - 2018 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 11 (2):101-113.
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Robert Smithson Ao.Jeff Wall - 2007 - In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. pp. 40.

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