Abstract

This article discusses the relations between the artistic, theoretical and psychoanalytic work of Bracha Lichtenberg Ettinger. It is particularly concerned with the claims her work makes on behalf of the feminine. After considering her conceptualization of feminine subjectivity and a feminine symbolic space, an extensive discussion of her art is given. Drawing on the work of Deleuze and Guattari, her art’s creative encounter with this feminine symbolic space is viewed in terms of a matrixial refrain. This refrain is seen as producing a variety of feminine times which provide the basis for what could be called existential ethic in the feminine.