Diogenes 59 (1-2):52-62 (2012)

Arnold Berleant
Long Island University
What I should like to explore here is the experience of landscape both through the arts and as an art, an art of environmental appreciation. A clearer understanding of landscape, environment, and art, as well as what it is to "know" in the context of environmental experience, suggests how the arts can contribute to an intimate, engaged experience of landscape, and how this process itself can be construed as an art in which the perceiver is a quasi-artist. I should like to do this through a re-weaving of words and ideas to propose a new fabric for understanding the relation of art, landscape, and perceiver. The threads I want to combine are four: art, environment, landscape, and knowing in the sense of appreciation. I hope to show how the loose-knit texture they form can be spread over a particular landscape in such a way that the landscape will fill the fabric and the fabric integrate the landscape. I realize that I may have over-worked my metaphor, so I shall leave it now, but I hope that it can serve as a guiding image for the relation and application of the ideas I shall be working with.
Keywords landscape  perception  environmental appreciation
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Reprint years 2013
DOI 10.1177/0392192112469320
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References found in this work BETA

Aesthetics of the Natural Environment.Emily Brady - 2000 - University of Alabama Press.
Introduction a la Métaphysique.H. Bergson - 1903 - Revue de Métaphysique et de Morale 11 (1):1 - 36.
Art and Engagement.Arnold BERLEANT - 1991 - Temple University Press.

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