In T. Z. Lavine & V. Tejera (eds.), History and Anti-History in Philosophy. Transaction Publishers. pp. 256--274 (1989)

Arnold Berleant
Long Island University
Although artistic activity has been a major social phenomenon in the western world, aesthetics has not always reflected the changes in techniques, processes, themes and uses through which the arts have developed and had their effect. Theory most often comes after the fact, and properly so. Yet aesthetics in its history has not only displayed an unfitting hubris, with thinkers attempting to legislate about style, suitability and materials to the artist; aesthetics has also lagged far behind the living edge of artistic activity and discussed it in anachronistic terms.
Keywords aesthetics  analytic aesthetics  British aesthetics  art object  modern art
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References found in this work BETA

Aesthetic Concepts.Frank Sibley - 1959 - Philosophical Review 68 (4):421-450.
The Role of Theory in Aesthetics.Morris Weitz - 1956 - Journal of Aesthetics and Art Criticism 15 (1):27-35.
The Aesthetic Point of View.Monroe C. Beardsley - 1970 - Metaphilosophy 1 (1):39–58.
The Ontological Peculiarity of Works of Art.Joseph Margolis - 1977 - Journal of Aesthetics and Art Criticism 36 (1):45-50.
The Aesthetic Point of View: Selected Essays.Francis Sparshott - 1984 - Journal of Philosophy 81 (4):230-234.

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