Abstract

This article focuses on the significance of space in the display of hegemonic power in the La Scala opera house in the years 1776–1850s. More specifically, it traces the changes in the use of space from Napoleon’s attempt to “democratise” La Scala by attacking the display of hegemonic hierarchy and subverting the status quo, to the Habsburgs’ attempt to “restore” a display of hegemonic rule. The analysis of primary findings demonstrates that the space of the opera house was reshaped not only physically through renovation but also by imposing rules and structuring attendance during performances. The social significance of La Scala’s theatrical space is also explored by identifying the means the Habsburg authorities used to control it as part of their response to the rise of the Risorgimento. The article thus traces the historical shifts in the political functions of space in La Scala from its early role of displaying aristocratic authority through the period of Napoleonic democratisation and finally the Hapsburgs’ restoration politics of surveillance.