Catarse Na Tragédia Grega: Aprendendo A Viver, “VIVENDO”

Ethic@ 15 (1):35-42 (2008)
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Abstract

Na Poética, Aristóteles vê a poesia, isto é, o mito, enquanto imitação da dormais radical, imitação do terrível, a saber, o pura e simplesmente inexorávelque se encontra na ambiência do que os gregos antigos entendiam por moira,destino. O adequado uso do mito no espetáculo trágico é o que, segundo oestagirita, conduz à catarse: purificação do terror e da piedade. O quepretendemos é investigar a relação estreita entre o que, na Poética, é chamado“purificação” e aquilo que aqui será explicitado como “dor radical” a qualconstitui fundamentalmente a vida de todo homem em todos os seusmomentos.In Poetics, Aristotle considers poetry, that is, the myth, as imitation of themost radical pain, imitation of the terrible, namely, the absolutely inexorablethat is in the ambience of what the Ancient Greeks understood as moira,destiny. The good use of the myth in the tragic spectacle, as the Stagiritethought, leads to catharsis: purification of terror and mercy. What we intendto investigate is the narrow relation between what is called, in Poetics,“purification” and what we have here named “radical pain”, whichfundamentally constitutes each man’s life in all its moments

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