The Political Energies of the Archaeomodern Tool

Mediations 31 (2) (2018)
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Abstract

Taking up work from the 2015 Venice Biennale and Fredric Jameson’s Representing Capital, Amanda Boetzkes explores the intersection of the use of energies in both political struggle and the work of machines, arguing for reading the importance of Walter Benjamin’s concept of the “archaeomodern tool,” in which political energies can be gauged in their representation as petrified objects.

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