Deleuze on Cinema
Routledge (2003)
Abstract
Gilles Deleuze has produced some of the most important--and most formidable--theory on cinema to appear in the last half-century. Deleuze on Cinema provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.Reprint years
2013
Call number
PN1995.B527 2003
ISBN(s)
0415966043 9780415966047
My notes
Similar books and articles
Cinema, Memory, Modernity: The Representation of Memory From the Art Film to Transnational Cinema.Russell James Angus Kilbourn - 2010 - Routledge.
Mutual Images: Reflections of Kant in Deleuze's Transcendental Cinema of Time.Melinda Szaloky - 2009 - In David Norman Rodowick (ed.), Afterimages of Gilles Deleuze's Film Philosophy. University of Minnesota Press.
Towards Another '–Image': Deleuze, Narrative Time and Popular Indian Cinema.David Martin-Jones - 2008 - Deleuze and Guatarri Studies 2 (1):25-48.
The Brain is the Screen: Deleuze and the Philosophy of Cinema.Gregory Flaxman (ed.) - 2000 - University of Minnesota Press.
Passions and Actions: Deleuze's Cinematographic Cogito.Richard Rushton - 2008 - Deleuze and Guatarri Studies 2 (2):121-139.
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Citations of this work
From the perspective of the object in semiotics: Deleuze and Peirce.Roger Dawkins - 2020 - Semiotica 2020 (233):1-18.
A Deleuzian Cineosis: Cinematic Semiosis and Syntheses of Time.David Deamer - 2011 - Deleuze and Guatarri Studies 5 (3):358-382.
Michel Serres, Topology and Folded Time in Christopher Nolan's Dunkirk.Kevin Hunt - 2022 - Film-Philosophy 26 (3):308-330.
A Crystal-Theatre: Automation and Crystalline Description in the Theatre of Samuel Beckett.Daniel Koczy - 2012 - Deleuze and Guatarri Studies 6 (4):614-627.
Laiko - viseto - atverties santykis kine ir modernaus kino filosofijoje.Jūratė Baranova - 2014 - Žmogus ir Žodis 16 (4).