Pennsylvania State University Press (1995)

Authors
Peg Brand Weiser
Indiana University Purdue University, Indianapolis
Carolyn Korsmeyer
State University of New York, Buffalo
Abstract
Feminism and Tradition in Aesthetics takes a fresh look at the history of aesthetics and at current debates within the philosophy of art by exploring the ways in which gender informs notions of art and creativity, evaluation and interpretation, and concepts of aesthetic value. Multiple intellectual traditions have formed this field, and the discussions herein range from consideration of eighteenth century legacies of ideas about taste, beauty, and sublimity to debates about the relevance of postmodern analyses for feminist aesthetics. Forward by Arthur C. Danto, 20 authors include Paul Mattick, Jr., Caroline Korsmeyer, Timothy Gould, Christine Battersby, Mary Devereaux, bell hooks, REnee Lorraine, Trinh T. Minh-ha, Elizabeth Ann Dobie, Adrian Piper, Anita Silvers, Susan Feagin, Mary D. Garrard, Ellen Handler Spitz, Noel Carroll, Joanne Waugh, Joseph Margolis, Rita Felski, and Hilde Hein, as well as Peg Brand's essay, "Revising the Aesthetic-Nonaesthetic Distinction: The Aesthetic Value of Activist Art."
Keywords Aesthetics  Feminist Theory  Feminism and the Arts
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References found in this work BETA

The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.
The Role of Theory in Aesthetics.Morris Weitz - 1956 - Journal of Aesthetics and Art Criticism 15 (1):27-35.
Critical Communication.Arnold Isenberg - 1949 - Philosophical Review 58 (4):330-344.

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