Ethics, Place and Environment 9 (1):1 – 19 (2006)

Authors
Emily Brady
Texas A&M University
Abstract
The continuum between nature and artefact is occupied by objects and environments that embody a relationship between natural processes and human activity. In this paper, I explore the relationship that emerges through human interaction with the land in the generation and aesthetic appreciation of industrial farming in contrast to more traditional agricultural practices. I consider the concept of a dialectical relationship and develop it in order to characterise the distinctive synthesising activity of humans and nature which underlies cultivated environments. I argue that a more harmonious relationship, and greater aesthetic value, may be located within traditional farming landscapes. This position is supported and illustrated through a discussion of two agricultural practices in the UK, hedge-laying and stonewalling.
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DOI 10.1080/13668790500518024
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References found in this work BETA

Critique of the Power of Judgment.Immanuel Kant - 2000 - Cambridge University Press.
Aesthetics of the Natural Environment.Emily Brady - 2000 - University of Alabama Press.
Living in the Landscape: Towards an Aesthetics of Environment.Arnold Berleant - 1998 - Journal of Aesthetics and Art Criticism 56 (3):302-303.
Merit, Aesthetic and Ethical.Marcia Muelder Eaton - 2001 - Oxford University Press.

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Environmental Aesthetics.Allen Carlson - 2008 - Stanford Encyclopedia of Philosophy.

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