Abstract

“This book is a philosophical interpretation of Macbeth,” the preface states. It is not a theoretical reading, that is, an application of literary theory to uncover implications in the text that the author may not have consciously put there. The hypothesis of Jan Blits’s philosophical interpretation is that we are only to find out what Shakespeare has put in with infinitely conscious art and that theory is not to be imposed on, but philosophy is to be discerned in, the play. “Philosophy” here means the reflective content of each line, not necessarily understood by the speaker, but intended by Shakespeare to serve the reader in thinking about humanity and its circumstances, natural and divine.