Bakhtiniana 17 (2):9-28 (2022)

Abstract
ABSTRACT This work is about the imbrication between writing and testimony, based on the work Retrato calado [Silenced Portrait], by Luiz Roberto Salinas Fortes. Although “evident,” it is a relationship that carries a particularity: the person who writes does so, asking oneself questions about the role of enunciation, about the meanings that the language inscribes about itself and about violence. Based on the principles of the Anthropology of Enunciation, as Flores1 proposes, the analytical gesture carried out assumes linguistics as knowledge about man in his loquens property, specifically at the moment in which one singularizes in/through discourse. RESUMO Este trabalho versa sobre a imbricação entre escrita e testemunho a partir da obra Retrato Calado, de Luiz Roberto Salinas Fortes. Embora “evidente”, trata-se de uma relação que carrega uma particularidade: aquele que escreve o faz questionando-se sobre o papel de sua enunciação, sobre as significações que a língua inscreve sobre si mesma e sobre a violência. Pautado nos princípios da Antropologia da Enunciação, tal como Flores1 a propõe, o gesto analítico levado a efeito assume a linguística como um conhecimento sobre o homem em sua propriedade loquens, especificamente no instante em que se singulariza no/pelo discurso.
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DOI 10.1590/2176-4573e54220
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