Non-Cinema: Digital, Ethics, Multitude

Film-Philosophy 20 (1):104-130 (2016)
  Copy   BIBTEX

Abstract

In this article I propose the concept of ‘non-cinema’. The term points to that which is excluded from cinema, and accordingly I seek to explore the various reasons for these exclusions, in particular the political/ideological ones, together with how these exclusions are manifested on an aesthetic level. Instead of André Bazin's founding question regarding what is cinema, therefore, this essay asks what cinema is not – and why. This question is of redoubled importance in an age of technological change: not only are nearly all films now not made using the traditional equipment of filmmaking (analogue cameras, linear editing systems, polyester film stock), but nor do they get exhibited in traditional theatrical venues (instead circulating on DVD and related formats, and online). On a related note, increasing numbers of filmmakers actively are moving away from feature filmmaking, e.g. into television. The essay focuses in particular on ‘non-cinematic’ works by Philippine director Khavn de la Cruz and American director Giuseppe Andrews. Formally, I argue that their films deliberately embrace that which is perceived as non-cinematic in order to put forward what Argentine philosopher Enrique Dussel might define as a ‘barbarian’ film-philosophical vision of the world, which is reminiscent of Antonio Negri's concept of multitude, and which also has an ethical dimension in that it proposes the inclusion of the overlooked and the dispossessed, and of the darkness that necessarily accompanies the light.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,283

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Understanding Digital Ethics: Cases and Contexts.Jonathan Beever, Rudy McDaniel & Nancy A. Stanlick - 2019 - New York, NY: Routledge. Edited by Rudy McDaniel & Nancy A. Stanlick.
A Philosophy of Cinematic Art.Berys Gaut - 2010 - Cambridge: Cambridge University Press.
The Digital Secret of the Moving Image.Enrico Terrone - 2014 - Estetika: The European Journal of Aesthetics 51 (1):21-41.
Multitude against Empire: A sin of omission.Ian K. McDaniel - 2009 - Philosophy and Social Criticism 35 (7):793-800.

Analytics

Added to PP
2016-06-30

Downloads
24 (#660,844)

6 months
7 (#439,668)

Historical graph of downloads
How can I increase my downloads?

References found in this work

Cinema 1: The Movement Image.Gilles Deleuze, Hugh Tomlinson & Barbara Habberjam - 1988 - Journal of Aesthetics and Art Criticism 46 (3):436-437.
Philosophy of Liberation.Enrique Dussel - 1988 - International Journal for Philosophy of Religion 23 (1):50-50.

Add more references