Abstract

This exciting new series provides students of twentieth-century literature with some of the most advanced scholarly and critical work in the field in a lucid and accessible form. Volumes may focus on an individual author or literary movement or address critical and cultural themes or historical moments and movements. The series assumes no particular critical line or theoretical tendency but aims to present the best writing on twentieth-century literature and culture by new and established critics in a way which reveals the remarkable diversity of modern critical approaches.