Film theory and contemporary Hollywood movies

(ed.)
New York: Routledge (2009)
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Abstract

This volume offers a representative sampling of current research generated by both young and established film scholars from the different schools of thought ...

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PN1995.F4667 2009

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9780415962612   0415962625

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Chapters

Demystifying Deleuze: French philosophy meets contemporary U.S. cinema.David Martin-Jones
Fantasy audiences versus fantasy audiences.Martin Barker
Feminism, philosophy, and queer theory. Reformulating the symbolic universe: Kill bill and Tarantino's transcultural imaginary.Saša Vojković
Mementos of contemporary American cinema: identifying and responding to the unreliable narrator in the movie theater.Volker Ferenz
Movie-games and game-movies: towards an aesthetics of transmediality.Douglas Brown & Tanya Krzywinska
New Hollywood, new aesthetics. New Hollywood, new millennium.Thomas Schatz
Rethinking affects, narration, fantasy, and realism. Rethinking affects, narration, fantasy, and realism. Trauma, pleasure, and emotion in the viewing of titanic: A cognitive approach.Carl Plantinga
Rethinking affects, narration, fantasy, and realism. Trauma, pleasure, and emotion in the viewing of Titanic: a cognitive approach.Carl Plantinga
Saw heard: musical sound design in contemporary cinema.K. J. Donnelly
Tales of epiphany and entropy: paranarrative worlds on YouTube.Thomas Elsaesser
The shape of 1999: the stylistics of American movies at the end of the century.Barry Salt
The supernatural in neo-baroque Hollywood.Sean Cubitt
What is there really in the world?" Forms of theory, evidence and truth in Fahrenheit 9/11: a philosophical and intuitionist realist approach. [REVIEW]Ian Aitken
New Hollywood, new millennium.  (pages 19--46)Thomas Schatz
Man without a movie camera, movies without men: towards a posthumanist cinema?  (pages 66--85)William Brown
Broke)back to the mainstream: queer theory and queer cinemas today.  (pages 192--213)Harry M. Benshoff

Similar books and articles

New Hollywood, new millennium.Thomas Schatz - 2009 - In Warren Buckland (ed.), Film theory and contemporary Hollywood movies. New York: Routledge. pp. 19--46.
The supernatural in neo-baroque Hollywood.Sean Cubitt - 2009 - In Warren Buckland (ed.), Film theory and contemporary Hollywood movies. New York: Routledge.
Fantasy audiences versus fantasy audiences.Martin Barker - 2009 - In Warren Buckland (ed.), Film theory and contemporary Hollywood movies. New York: Routledge.
Movie-games and game-movies: towards an aesthetics of transmediality.Douglas Brown & Tanya Krzywinska - 2009 - In Warren Buckland (ed.), Film theory and contemporary Hollywood movies. New York: Routledge.
The shape of 1999: the stylistics of American movies at the end of the century.Barry Salt - 2009 - In Warren Buckland (ed.), Film theory and contemporary Hollywood movies. New York: Routledge.
New Hollywood, new aesthetics. New Hollywood, new millennium.Thomas Schatz - 2009 - In Warren Buckland (ed.), Film theory and contemporary Hollywood movies. New York: Routledge.
Demystifying Deleuze: French philosophy meets contemporary U.S. cinema.David Martin-Jones - 2009 - In Warren Buckland (ed.), Film theory and contemporary Hollywood movies. New York: Routledge.
Tales of epiphany and entropy: paranarrative worlds on YouTube.Thomas Elsaesser - 2009 - In Warren Buckland (ed.), Film theory and contemporary Hollywood movies. New York: Routledge.
Saw heard: musical sound design in contemporary cinema.K. J. Donnelly - 2009 - In Warren Buckland (ed.), Film theory and contemporary Hollywood movies. New York: Routledge.
Broke)back to the mainstream: queer theory and queer cinemas today.Harry M. Benshoff - 2009 - In Warren Buckland (ed.), Film theory and contemporary Hollywood movies. New York: Routledge. pp. 192--213.

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