Abstract
The photographic apparatus whose emergence is located in the mid-nineteenth century has not been perfectly located within the history of technology, sometimes considered as a simple tool or instrument whose utility was mainly in the field of scientific research, other times giving it the status of machine, accentuating this time the automatism of its operation. Both visions seem insufficient to us since both one and the other present a certain partiality in the understanding of the apparatus, which should not be reduced to its mere optical character or to its automatism, since this is also a form of recording, of memory. Our interest will focus on demonstrating how photography should be thought of as “apparatus”, that is, as a complex element within the history of technology; that not only was able to perfect our vision considered as deficient, but at the same time was able to grant a new temporality and a specific type of perception to an entire era.
Keywords automatism  automatismo  fotografía  introyección  introyection  photography  proyección  technique-projection  técnica
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DOI 10.22370/rhv.2018.12.1316
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References found in this work BETA

L'homme machine. La Mettrie & Aram Vartanian - 1962 - Les Etudes Philosophiques 17 (1):116-116.
Les Deux Sources de la Morale Et de la Religion.Henri Bergson - 1932 - Presses Universitaires de France.
Les origines de la technologie.Alfred Espinas - 1898 - Revue de Métaphysique et de Morale 6 (3):2-2.

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