Abstract
The essay focuses on the Italian evolutionist Tito Vignoli, whose work is the result of a fruitful contamination between philosophy, history of religion, linguistics, ethnography, anthropology, psychology, zoology and physiology. His most regarded book, Mito e scienza (1879), and some of his minor writings deal with the theory of myth, art and aesthetics in the new framework of Darwin's ideas
Keywords darwinism  theory of evolution  myth  Tito Vignoli  evolutionary aesthetics
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DOI 10.13128/Aisthesis-13777
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