The Monist 50 (2):188-203 (1966)
AbstractSpeaking of T. S. Eliot’s The Waste Land, F. R. Leavis says, “The unity the poem aims at is that of an inclusive consciousness: the organization it achieves as a work of art is of the kind that … may, by analogy, be called musical.” Speaking of the same poem, Karl Shapiro says, “That it is lacking in unity is obvious. Any part of The Waste Land can be switched with any other part without changing the sense of the poem.”
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