The Philosophy of Motion Pictures

Blackwell (2008)
Abstract
_Philosophy of Motion Pictures_ is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address
Keywords Motion pictures Philosophy
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Call number PN1995.C3574 2008
ISBN(s) 9781405120241  
DOI 10.1111/j.1540-6245.2008.00321_2.x
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Photographic Representation and Depiction of Temporal Extension.Jiri Benovsky - 2012 - Inquiry : An Interdisciplinary Journal of Philosophy 55 (2):194-213.
Empathy and Identification in Cinema.Berys Gaut - 2010 - Midwest Studies in Philosophy 34 (1):136-157.
Cinematic Narrators.Katherine Thomson-Jones - 2009 - Philosophy Compass 4 (2):296-311.
The Limits of Photography.Jiri Benovsky - 2014 - International Journal of Philosophical Studies 22 (5):716-733.

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